Fran Ashcroft – The Songs That Never Were
2 min read
Fran Ashcroft’s latest album, “The Songs That Never Were,” is a nostalgic journey back to the romanticism and authenticity of 1970s pop music, reminiscent of icons like Marc Bolan and The Beatles. Described by Ashcroft as “a bridge across time,” this album is a unique collaboration between his present self and his artistic endeavors from fifty years ago, brought to life through the fusion of broken tape recorders and AI technology. The album carries a distinct lo-fi charm, capturing the essence of an era when music reigned supreme on the charts. One standout track, “High Window,” envelops listeners with its psychedelic synth pads and orchestration, evoking memories of cosmic ballads and the musical stylings of Marc Bolan. Ashcroft delivers sensitive rock melodies layered with pop synth elements, echoing the poetic sentiments of the 1970s. Throughout the album, there’s a pervasive sense of experimentation and psychedelia, akin to the solo works of Syd Barrett and the poetic direction of The Doors. Tracks like “Carnival” showcase Ashcroft’s willingness to push boundaries with its experimental production, unconventional synths, and intriguing mono-stereo sound experiments, attracting listeners with its hypnotic allure. Another notable track, “Compass,” pays homage to The Beatles with its acoustic guitar-driven composition, yet Ashcroft’s personal touch shines through, particularly in his emotive guitar playing. “The Songs That Never Were” is a proof of Ashcroft’s passion for artistry and his dedication to creating time-travelling music. If you’re drawn to nostalgic melodies, lo-fi experimentation, and a deep-seated love for music, then check out this album.
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