The Veldt (Featuring Elizabeth Fraser) – Aurora Borealis

“Aurora Borealis” by The Veldt is not just a song; it’s an ethereal journey that transcends time and genre. Born in the crucible of the 1980s music scene, The Veldt, led by the Chavis twins, Daniel and Danny, have returned with a track that not only honors their shoegaze origins but also propels them into the modern age with remarkable finesse. The history behind “Aurora Borealis” is a story in itself. Produced by none other than Robin Guthrie of Cocteau Twins fame, it’s no surprise that this song exudes a mystical, otherworldly quality right from the start. The inclusion of Elizabeth Fraser’s enchanting backing vocals towards the end adds an extra layer of magic that’s nothing short of sublime. The song’s title, “Aurora Borealis,” is a fitting choice because the music itself feels like a celestial light show, dancing across the night sky. It’s dreamy, hypnotic, and profoundly evocative, much like the natural phenomenon it’s named after. The track transports you to a place of wonder and awe, where time seems to stand still. What sets “Aurora Borealis” apart from its shoegaze predecessors is its ability to seamlessly blend the influences of Cocteau Twins and The Cure with a modern twist. The Chavis twins’ guitar work is nothing short of extraordinary. The sound effects, particularly the reverb and echo, create a sonic landscape that’s as vast as it is immersive. The layers of atmospheric guitar wash over you like waves, drawing you deeper into the music’s embrace. It’s a perfect example of how shoegaze can evolve and remain relevant in contemporary music. “Aurora Borealis” is a reminder of the timelessness of shoegaze music. The fact that it still feels fresh and innovative in today’s music landscape is a devotion to The Veldt’s artistic vision and their commitment to pushing the boundaries of their genre. It’s a track that not only pays homage to the past but also propels shoegaze into the future.