October 18, 2026

Skylight Webzine

Online since 2000

The Room – Doom Pop!

The Room, Liverpool’s post-punk pioneers, have returned with their third album, “Doom Pop!”, which was released on 9×9 Records. The album, which was recorded and mixed in Liverpool’s Ark Studios and co-produced by Dave Jackson and Steve Powell, combines dark post-punk, British indie, garage rock, psychedelic influences, and strong narration. “Drill, Baby, Drill” begins with a dark, early-1980s post-punk atmosphere, with synths providing short bursts of light. “Magic Games” follows with atmospheric vocals and distinct bass notes, giving a dreamy narrative mood. “Things Have Learnt to Walk That Ought to Crawl” begins with playful guitars and soon evolves into a Smiths-inspired arrangement that combines beautiful vocals, teenage anger, and 1960s-style melody. “Doom Patrol” is recognisable for its catchy guitar melody and excellent radio potential, but “Stories” features dirty guitars, a funky bass line and romantic lyrics. The ending track “Drones” brings a raw garage-rock attitude, complete with Sky Saxon-like melodies, fuzzy distorted guitars, and narrative-driven vocals. Lyrically, “Doom Pop!” is just as engaging, ranging from political satire, dystopian visions, mythology, childhood thoughts, and darker comments on modern life. Songs like “Drill, Baby, Drill,” “Doom Patrol,” “Continent Of Lies,” and “Drones” focus on environmental destruction, propaganda, dictatorship, technological warfare, and the growing influence of powerful figures, whereas “Magic Games” and “Stories” provide a more artistic and nostalgic escape through childhood fantasy. “The Room” adds a bizarre, almost science-fiction layer, inspired by the enigmatic Zone and the search for a location where deepest desires might be fulfilled. The combination of reality, fantasy, and dystopia gives the album an original identity, with the lyrics reading like several chapters of the same scary but fascinating world. Overall, “Doom Pop!”combines Liverpool’s post-punk roots with melodic indie, garage rock, and psychedelic elements, resulting in an atmospheric album that sounds nostalgic without simply looking back…

photo courtesy of The Room

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