{"id":92,"date":"2009-08-05T20:54:47","date_gmt":"2009-08-05T20:54:47","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2009\/08\/05\/nick-clemente\/"},"modified":"2009-08-05T20:54:47","modified_gmt":"2009-08-05T20:54:47","slug":"nick-clemente","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2009\/08\/05\/nick-clemente\/","title":{"rendered":"NICK CLEMENTE"},"content":{"rendered":"<p><img decoding=\"async\" src=\"images\/stories\/images\/Persons\/clementephoto2.gif\" border=\"0\" \/><br \/>1. Dear Nick let us know about you, we want a short bio of you and your activities til today ..<\/p>\n<p>I played bass in Sinnocence and Mystery Bloom up until 1997. I started an entertainment company called Commodity Oddity and I assembled and managed the worlds first little person rock and roll band The Little Kingz. The Little Kingz are in the Ben Stiller movie Zoolander. I released a book, &#8220;How Not To Make It In The Music Business&#8221; and a book of Poetry called &#8220;Leaving Notes&#8221; in 2004. I wrote a soon to be released song called &#8220;Elephant Man&#8221; with Bob Gilmartin from New Machine and late KISS drummer Eric Carr. I co-manage the New York City band The Kin who I feel are the U2 of the 2000s and I am currently assembling the next big thing called CRAZE. All my news past and present is kept on my website Quigs Musical Sideshow <a href=\"http:\/\/www.quigsmss.com\">www.quigsmss.com<\/a><\/p>\n<p>2. The main reason of my interview is your book How not to make it in the music business, why such a strange title?<\/p>\n<p>It was a kind of a joke between the band and I. I used to say &#8220;Someday I&#8217;m going to write a book called, &#8220;How Not To Make It In The Music Business&#8221; every time something went wrong. I also was in a book store one day and I realized that there was an entire row of How To books in the music section. I thought it would be fun to go the opposite of that.<\/p>\n<p>3. Now let us know how did you decide to write this book, &#8220;What made you do it&#8221; (as policemen ask the criminals! ) ?<\/p>\n<p>\u00a0Well, It was 1997 and Mystery Bloom had hit a wall. We were working with Skid Row drummer Rob and producer Eddie Kramer. However, it was just the beginning of the end for Mystery Bloom. After I left the band I laid low for a year. Writing this book was like therapy for me.<\/p>\n<p>4. You&#8217;ve been a live proof of the hair metal days and the backstage events, so I want hot and unreleased details about the famous persons of those days.<\/p>\n<p>Well, I&#8217;m not a kiss and tell type of guy. I will say, we had a very good time and most of the people I met were very cool. I always stop by the 80s shows to say hi when the bands I used to know come to town. It&#8217;s funny because some of the guys are still just the same and some have changed a lot. Some good and some bad.<\/p>\n<p>5. Do you consider this period of sex drugs &amp; rock n roll as influential?<\/p>\n<p>I grew up on 1970s music. I feel that music is still more influential today then the 1980s music. I&#8217;m proud to say that bands I worked with kept the drug thing out of our camp for the most part. That left more time for Sex and Rock and Roll. I have a weekly radio show on High Octane Radio <a href=\"http:\/\/www.highoctaneradio.com\">www.highoctaneradio.com<\/a> called &#8220;Old Rules New School&#8221; where I play 1970s bands like Thin Lizzy, Sweet, KISS, Starz, The Baby&#8217;s, The New York Dolls and new bands that have that 1970s style like The Darkness, Jet and Silvertide. Check it out sometime. The shows start airing in February.<\/p>\n<p>6. Which was the backstage role of the multinational Labels those days?<\/p>\n<p>Like most rock and roll events everyone partied. You didn&#8217;t have to be in the band to have a good time.<\/p>\n<p>7. Did you have any threats, tsunamis, atomic bombs or just complaints from persons that are featured in your book?<\/p>\n<p>Most people thought it was really a fun read. Frank Duca, the singer of Sinnocence, thought I portrayed him too dark. Frank was a dark person. He&#8217;ll even admit to that. The one thing he felt I didn&#8217;t lean on enough was the talent of the band members. The guys I played with were all really good players, singers and writers. For the record Frank was a very good drummer who was kind of forced to take on the lead singer role due to lack of singers in our area. I think Frank took on a lot and for the most part did a great job. Frank is a hell of a song writer as well.<\/p>\n<p>8. What about the role of the groupies, a few years ago as I remember an ex member of Ratt paid with his life (AIDS ) due to his choice for extreme sex life? Do groupies have a role in this situation?<\/p>\n<p>You have to be responsible and I guess I can say lucky as well. I think it is safe to say none of us followed the rules all the time.<\/p>\n<p>9. Are we going to have a second book with more details about the backstage events of the hair metal days?<\/p>\n<p>Not at the moment. I think my next book is going to be about my days managing the worlds first little person rock and roll band The Little Kingz. It is going to be called &#8220;Altered Pants.&#8221; The Little Kingz played a ton of major events with all of today&#8217;s top bands and they were on a bunch of major TV and Radio shows. There are some amazing stories about these guys.<\/p>\n<p>10. How can we order your book and find more details about you?<\/p>\n<p>\u00a0You can order &#8220;How Not To Make It In The Music Business&#8221; at my website Quigs Musical Sideshow at <a href=\"http:\/\/www.quigsmss.com\">www.quigsmss.com<\/a>\u00a0 I am hand signing and numbering everyone. There is a section on my website dedicated just to &#8220;How Not To Make It In The Music Business.&#8221; I also want to take this time to thank Joe Lynn Turner for doing the Forward for me. He&#8217;s a great guy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Dear Nick let us know about you, we want a short bio of you&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-92","post","type-post","status-publish","format-standard","hentry","category-most-wanted-interviews"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/92\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=92"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}