{"id":6889,"date":"2018-03-21T17:28:06","date_gmt":"2018-03-21T17:28:06","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2018\/03\/21\/ex-stooges-guitarist-james-williamson-announces-the-pink-hearts\/"},"modified":"2018-03-21T17:28:06","modified_gmt":"2018-03-21T17:28:06","slug":"ex-stooges-guitarist-james-williamson-announces-the-pink-hearts","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2018\/03\/21\/ex-stooges-guitarist-james-williamson-announces-the-pink-hearts\/","title":{"rendered":"Ex-Stooges guitarist James Williamson announces &#8216;The Pink Hearts&#8217;"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/straightjameswilliamson.com\/HeatherHarrissjwGallery\/images\/2.3_jpg.jpg\" border=\"0\" width=\"219\" height=\"330\" \/><\/p>\n<p>A 2010 inductee into the Rock &amp; Roll Hall of Fame as a member of The Stooges, James Williamson is now set to make his most stylistically diverse musical statement to date with his new group, James Williamson &amp; the Pink Hearts. Fronted by Los Angeles-based vocalists Frank Meyer (The Streetwalkin\u2019 Cheetahs) and Petra Haden (That Dog, The Haden Triplets), the Pink Hearts\u2019 repertoire encompasses everything from feral rockers to soul-searching balladry. Behind the Shade by James Williamson &amp; the Pink Hearts will be released on LP+CD, standalone CD, and digitally by Leopard Lady Records on Friday, June 22, 2018.<\/p>\n<p>  <!--more-->  <\/p>\n<p>Recorded last year in Berkeley (instrumentation) and Los Angeles (vocals), Behind the Shade is a thoroughly modern rock album which also evokes the most stirring elements of Seventies rock \u2018n\u2019 roll. \u201cYou Send Me Down\u201d is an exuberant party starter with keyboards funky enough to have been lifted from the Billy Preston songbook, while \u201cPink Hearts Across the Sky\u201d (a sure-fire favorite at AAA Radio) is resilient Americana with a crystal clear vocal performance by Haden worthy of Linda Ronstadt. The lonely, late-night afterglow of Alejandro Escovedo\u2019s \u201cDied a Little Today\u201d (the album\u2019s sole cover and a CD-only bonus track) features a plaintive vocal by Haden accompanied by swooning lap steel. \u201cDestiny Now\u201d pairs melodic rock guitar with vocals reminiscent of \u201890s college rock favorites Madder Rose and Bettie Seveert. On the opposite end of the spectrum, Meyer\u2019s raw, rabble-rousing vocals throw kerosene on the riff-driven assault of \u201cRiot on the Strip\u201d and \u201cThe Revolution Stomp.\u201d Meyer also has room to get contemplative on the buzzing underground strut of \u201cMiss Misery\u201d and the tough-as-nails rocker \u201cJudith Christ.\u201d\u00a0 <\/p>\n<p>Meyer, a consistently impressive songwriting force on the album, penned all of the lyrics and co-shares the lead vocals. Haden\u2019s violin graces five tracks and her voice appears throughout the album, either singing lead, on duets with Meyer, or providing harmonies. Williamson supplies all of the riffs, guitar parts, and most bass parts. In addition, Behind the Shade features a wide array of talented accompanists. Michael Urbano (Smash Mouth, Bourgeois Tagg, Todd Rundgren, John Hiatt) provides inventive percussion and driving drum patterns. Gregg Foreman, Herv\u00e9 Salters, Paul Roessler, Nick Hart, and Audrey Vera guest on keyboards and piano.\u00a0 Additional musicians on the sessions are Jason Carmer (bass), Don Rooke (lap steel), Geoff Yeaton (saxophone), Tony Peebles (saxophone), and Steffen Kuehn (trumpets).<\/p>\n<p>The origins of the Pink Hearts stretch back to 2012 when Williamson was searching for backing singers to appear on what would become the final Stooges album, Ready to Die (2013). Latter-day Stooges bassist Mike Watt suggested his friend Petra Haden to Williamson. \u201cPetra came in with her violin and blew me away with her playing and singing,\u201d recalls Williamson. \u201cMonths later when we recorded the basic tracks, I included her on what would become Ready to Die\u2019s closing track, \u2018The Departed\u2019.\u201d<\/p>\n<p>By that point, Haden \u2014 the daughter of jazz bassist Charlie Haden, and sister of bassist-singer Josh Haden of Spain \u2014 was already a music veteran. In 1994, she was a founding member of That Dog, a rock quartet signed to Geffen Records that included one of her triplet sisters, bassist Rachel Haden, in its core lineup, as well as guest appearances by the remaining triplet, cellist Tanya Haden. Petra, Rachel and Tanya have also recorded and performed as The Haden Triplets. Throughout her career, Haden has recorded a string of acclaimed solo albums and has collaborated with Bill Frisell, The Decemberists, Tito &amp; Tarantula, The Twilight Singers, Beck, Luscious Jackson, Foo Fighters, Green Day, Victoria Williams, Sunn O))), and many others.<\/p>\n<p>The Pink Hearts\u2019 main vocalist and lyricist Frank Meyer took a more circuitous route in joining the band. Williamson picks up the story: \u201cThe last full-length album I released was Re-Licked (2014); it was a proper recording of songs Iggy and I had demoed for the follow up to Raw Power. The album featured 14 different vocalists so it was pretty impossible to tour, although I did appear on &#8220;Last Call with Carson Daly&#8221; alongside several singers who appeared on the album. When I eventually booked a handful of West Coast concerts to support the album, I was lacking a male vocalist for \u201cI\u2019m Sick of You\u201d so I asked my friend Cheetah Chrome (The Dead Boys) for suggestions. He recommended Frank Meyer, singer\/guitarist with The Streetwalkin\u2019 Cheetahs, which happened to be Cheetah\u2019s touring band at the time. Frank killed it on the live show. I was very impressed by his singing and stage presence.\u201d<\/p>\n<p>Fast forward to 2017. In the years since Re-Licked, Williamson had recorded various collaborative singles with a range of artists, and an EP, Acoustic K.O., with fellow high-energy Michigan rocker Deniz Tek of Radio Birdman fame. He was considering the idea of embarking on a new album but was stuck for a lyricist with whom to work. Remembering the strong impression Meyer had made, Williamson reached out to him. \u201cOnce I approached Frank to collaborate, I instantly knew he was right for the project as he not only said \u2018Yeah,\u2019 he said \u2018Hell Yeah!\u2019, recalls Williamson. \u201cFrank is very quick in writing lyrics. As quickly as I could turn out riffs and tunes, he would turn them around with fully developed lyrics. It was kind of amazing, really.\u201d<\/p>\n<p>For his part, Meyer was thrilled at the idea of collaborating with Williamson and Haden. \u201cThe idea of being able to sing with Petra was very exciting and a little intimidating, as she is an absolute master vocally,\u201d Meyer recalls. \u201cBut after the first batch of songs, she and I clicked and things got real comfortable. After that, James said I should start writing some songs with her in mind as lead vocalist. It really opened up the whole process because now I knew we could do anything or go anywhere creatively. A lot of people who are familiar with James\u2019 work with The Stooges are going to want to hear a rough-and-tumble male vocalist, but people that want to hear how James is growing as a songwriter and musician will be interested in this new twist. By teaming us up he got the best of both worlds.\u201d<\/p>\n<p>Haden concurs: \u201cI loved working with James and Frank. They\u2019re both wonderful guys and such great musicians. It was so cool to be in the studio and witness their creative process. The magic definitely comes through on this record.\u201d<\/p>\n<p>James Williamson is best known for co-writing with Iggy Pop, and playing all the guitars on, 1973\u2019s seminal Raw Power album by Iggy &amp; the Stooges. That album\u2019s lead track, \u201cSearch and Destroy,\u201d has become a rite of passage for any self-respecting rocker and has been covered by Pearl Jam with Mudhoney, Def Leppard, Red Hot Chili Peppers, Sid Vicious, The Dead Boys, and countless others.\u00a0 Commenting on Raw Power\u2019s ferocity, James has said \u201cI am a very emotional guitar player, so I always played that way. That\u2019s how we felt, so that was what it sounded like.\u201d<\/p>\n<p>Dropped by CBS Records, The Stooges disbanded in February, 1974, although Williamson continued to work with Pop, off and on, throughout the 1970s.\u00a0 This period yielded the demo collection Kill City (1977), the infamous live album Metallic K.O. (1977), and produced a pair of Pop solo albums, New Values (1979) and Soldier (1980, pre-production). After a long break during which Williamson lived in Silicon Valley and worked as a technological developer, he reunited with Pop, in a version of the Raw Power lineup of The Stooges, in 2009. Following several tours which played on multiple continents, The Stooges released a final studio album, Ready to Die (2013), produced and co-written by Williamson. Although The Stooges played their final live dates in September 2013, it wasn\u2019t until June of 2016 that Williamson released an official statement on behalf of the band saying that The Stooges were no more.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Image credit: <span class=\"style1\">Heather Harris <\/span><\/p>\n<p>Source: http:\/\/straightjameswilliamson.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A 2010 inductee into the Rock &amp; Roll Hall of Fame as a member of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-6889","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/6889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=6889"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/6889\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=6889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=6889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=6889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}