{"id":6443,"date":"2017-03-09T06:44:15","date_gmt":"2017-03-09T06:44:15","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2017\/03\/09\/the-increased-live-production-cost-in-uk-becomes-a-financial-risk-for-music-venues\/"},"modified":"2017-03-09T06:44:15","modified_gmt":"2017-03-09T06:44:15","slug":"the-increased-live-production-cost-in-uk-becomes-a-financial-risk-for-music-venues","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2017\/03\/09\/the-increased-live-production-cost-in-uk-becomes-a-financial-risk-for-music-venues\/","title":{"rendered":"The Increased Live Production Cost In UK Becomes A Financial Risk For Music  Venues"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/scontent.fath3-2.fna.fbcdn.net\/v\/t1.0-1\/p200x200\/15492443_574920226024673_4000934765587674086_n.png?oh=c0c1c3fe779acf58e59719048ea4f3db&amp;oe=59255931\" border=\"0\" width=\"198\" height=\"198\" \/><br \/>Increasing tax paid by music venues could pose a major threat to the UK&#8217;s live music scene, experts have warned. The organisers of Britain&#8217;s first live music census, which starts at  midday on 9 March, say a major overhaul of commercial property rates &#8211;  crucial details of which will be revealed in Wednesday&#8217;s Budget &#8211; could  amount to a huge rise in costs and force many venues to close.<\/p>\n<p>  <!--more-->  <\/p>\n<p>Academic Matt Brennan, who is leading the project, says venues operating at grassroots level are particularly vulnerable.<\/p>\n<p> Dr Brennan from the University of Edinburgh said: &#8220;Venues around the  country have been telling us that they already operate on thin margins,  so proposed increases in rateable values of up to 55% in some cases will  have a significant impact.<\/p>\n<p> &#8220;The UK Live Music Census will be very important in identifying  challenges that the industry faces, such as rising rates and other  issues. It will give us a detailed picture of what exactly it means to  be venue owner, a musician, and a live music lover in 2017. Our hope is  that the Census will be a vital tool in strengthening a much-loved part  of the UK&#8217;s culture.&#8221;<\/p>\n<p> Described by its organisers as a &#8220;Springwatch for live music&#8221;, the UK  Live Music Census is led by the universities of Edinburgh, Newcastle and  Glasgow.<\/p>\n<p> For 24 hours from noon on Thursday, a volunteer army of music lovers  will track performances in cities across the country &#8211; from lone buskers  to massed choirs and from dancefloors to stadium concerts.<\/p>\n<p> There will be coordinated censuses in Glasgow, Newcastle, Oxford, Leeds,  Southampton and Brighton. Volunteers will attend live music events  including Olly Murs at Leeds Arena, Nicola Benedetti at the Glasgow  Royal Concert Hall, R&amp;B in Oxford, and jazz in Newcastle.<\/p>\n<p> A nationwide online survey for musicians, venues, promoters and  audiences will also go live on 9 March and will be open until 8 May.  Music fans, musicians, venues and promoters across all genres and at all  levels are asked to fill in the survey at the official website:  www.uklivemusiccensus.org<\/p>\n<p> The Census &#8211; a world first &#8211; will quantify for the first time the  nationwide challenges the industry is facing and inform policy to help  it flourish. Experts expect the potential rise in taxes to feature  strongly in the feedback.<\/p>\n<p> Jo Dipple, chief executive of UK Music, one of the Census&#8217; industry  partners said: &#8220;UK Music is delighted to partner this ground-breaking UK  Live Music Census research. The findings for each of the six cities  will inform academics, entrepreneurs and music fans alike. It will help  organisations like UK Music to understand better the pressures on music  businesses and venues so we can lobby for the most effective policies in  each area. <\/p>\n<p> &#8220;For example, we know that a disproportionate hike in business rates  could pose a serious threat to qualifying music SMEs and grassroots  venues. The more we are able to identify threats, the more effective our  lobbying for policy change in that area will be.&#8221;<\/p>\n<p> Beverley Whitrick, Strategic Director of Music Venue Trust, said: &#8220;As a  young charity representing grassroots music venues across the UK, we are  constantly building the case for the needs of our sector.<\/p>\n<p> &#8220;Anecdotal evidence only goes so far when lobbying or profile-raising  around the challenges our venues face, so partnerships which generate  data are hugely powerful for us. The more towns and cities we have  research for, the more accurately we are able to represent the national  picture.&#8221;<\/p>\n<p> Lord Clement Jones, the Liberal Democrat peer and spokesman for the  creative industries in the House of Lords, said: &#8220;The UK Live Music  Census is a very welcome initiative for policy-makers as it will provide  rich data about local live music activity from those who make it and  those who enjoy it.<\/p>\n<p> &#8220;Live music is facing a number of challenges at the moment, from venues  closing down to the threat of increased business rates. However, data  about the sector has so far been relatively scarce and mostly anecdotal,  and so the much needed data collected by UK Live Music Census will help  us protect live music going into the future.&#8221;<\/p>\n<p> Other issues the Census aims to capture include the diversity of musical  genres, audience demographics, ticket prices, live music&#8217;s economic and  cultural value, and attitudes towards secondary ticketing &#8211; the  reselling of tickets.<\/p>\n<p> The Census is led by academics from the University of Edinburgh&#8217;s Reid  School of Music &#8211; part of Edinburgh College of Art &#8211; in collaboration  with Newcastle University&#8217;s International Centre for Music Studies and  the University of Glasgow&#8217;s School of Culture and Creative Arts.<\/p>\n<p> The project is funded by the Arts and Humanities Research Council. The  industry partners are UK Music, the Musicians&#8217; Union and the Music Venue  Trust. The affiliated institutions are Brighton&#8217;s British and Irish  Modern Music Institute, Leeds Beckett University, and Southampton Solent  University.<\/p>\n<p> Two years ago the project team ran a pilot live music census in  Edinburgh. Its findings were used to inform the city council&#8217;s decision  to change its policies about noise levels to the benefit of performers.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Source:  www.uklivemusiccensus.org<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Increasing tax paid by music venues could pose a major threat to the UK&#8217;s live&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-6443","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/6443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=6443"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/6443\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=6443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=6443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=6443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}