{"id":6007,"date":"2016-05-11T06:56:55","date_gmt":"2016-05-11T06:56:55","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2016\/05\/11\/congress-is-best-positioned-to-craft-music-licensing-reform\/"},"modified":"2016-05-11T06:56:55","modified_gmt":"2016-05-11T06:56:55","slug":"congress-is-best-positioned-to-craft-music-licensing-reform","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2016\/05\/11\/congress-is-best-positioned-to-craft-music-licensing-reform\/","title":{"rendered":"Congress Is Best Positioned To Craft Music Licensing Reform?"},"content":{"rendered":"<p><span class=\"normal\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/a\/a4\/Flag_of_the_United_States.svg\/1024px-Flag_of_the_United_States.svg.png\" border=\"0\" width=\"217\" height=\"114\" \/><br \/>Debate over how best to reform the U.S.  music-licensing system has heated up in the wake of the U.S. Justice  Department&#8217;s recent inquiry into the consent decrees that govern the  nation&#8217;s two largest performance-rights organizations (PROs), which  oversee how copyrighted music is licensed to bars, restaurants and other  businesses.  <!--more-->  <br \/> A new policy study from R Street Innovation Policy Director Mike Godwin  makes the case that neither the Justice Department, the U.S. Copyright  Office nor the federal courts are the proper venue to determine whether  and how the consent decrees ought to be altered to better serve the  interests of creators, licensees and the general public. Any such change  should properly come from Congress itself.<\/p>\n<p> Among the most pressing questions is whether to grant music publishers  the ability to withdraw only part of their rights from the  consent-decree framework. Specifically, some publishers would like to  withdraw only their digital rights to allow them the chance to negotiate  directly with providers of internet radio and other digital streaming  services. Also at issue is whether changes are needed in dealing with  so-called &#8220;fractional rights,&#8221; with some proposing that rights-holders  be able to license 100 percent of compositions despite not owning 100  percent of the rights to the work. Such changes could address many  common complaints, but would also create new shortfalls of their own,  Godwin argues.<\/p>\n<p> &#8220;It&#8217;s generally understood there is an underlying public-policy interest  in ensuring that copyrighted music gets licensed simply and easily and,  to the greatest degree possible, in a way that allows the general  public to discover and enjoy,&#8221; Godwin writes &#8220;But uncertainty about the  need to license-or about how to ensure a license is adequate with regard  to music rights-can be a problem for restaurants and small businesses.&#8221;<\/p>\n<p> Ultimately, making the American music licensing system more efficient is a complex task best handled by Congress.<\/p>\n<p> &#8220;It&#8217;s hard to know for sure which direction Congress might choose when  it comes to reforming the labyrinthine landscape for licensing music  copyrights,&#8221; Godwin writes. &#8220;But given the sheer complexity of music  copyrights and the number of stakeholders involved-including the general  public, which is not necessarily fully represented by the DOJ or in the  Copyright Office proceedings-asking Congress to intervene and determine  the right answer is the surest path we have to find it.&#8221;<\/span><\/p>\n<p>\u00a0<\/p>\n<p><span class=\"normal\">Source: <\/span><span class=\"normal\">R Street Innovation <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Debate over how best to reform the U.S. music-licensing system has heated up in the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-6007","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/6007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=6007"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/6007\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=6007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=6007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=6007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}