{"id":5891,"date":"2016-03-04T09:08:16","date_gmt":"2016-03-04T09:08:16","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2016\/03\/04\/live-nation-entertainment-reports-fourth-quarter-and-full-year-2015-results\/"},"modified":"2016-03-04T09:08:16","modified_gmt":"2016-03-04T09:08:16","slug":"live-nation-entertainment-reports-fourth-quarter-and-full-year-2015-results","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2016\/03\/04\/live-nation-entertainment-reports-fourth-quarter-and-full-year-2015-results\/","title":{"rendered":"Live Nation Entertainment Reports Fourth Quarter And Full Year 2015 Results"},"content":{"rendered":"<p><span class=\"normal\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.livenationentertainment.com\/content\/img\/global\/logo-live-nation.png\" border=\"0\" width=\"217\" height=\"67\" \/><br \/>Full Year 2015 &#8211; A Record Year for Live Nation<br \/> &#8211; Revenue Up 11% to $7.6 Billion at Constant Currency<br \/> &#8211; AOI Up 11% to $616 Million at Constant Currency<br \/> &#8211; Operating Income of $156 Million at Constant Currency<br \/> &#8211; Adjusted EPS of ($0.06) at Constant Currency <\/span><\/p>\n<p>  <!--more-->  <\/p>\n<p> &#8211; Reported Revenue of $7.2 Billion, Operating Income of $131 Million, and EPS of ($0.33)<br \/> &#8211; Live Nation Concerts Record Setting Year Growing Number of Concerts by 12% and Attendance by 8% to 63 Million<br \/> &#8211; Ticketmaster Record Setting GTV Up 12% at Constant Currency; Processing a Record 530 Million Tickets Globally<br \/> &#8211; Secondary GTV Up 34% at Constant Currency<br \/> &#8211; Live Nation&#8217;s Advertising Division AOI Up 15% at Constant Currency<\/p>\n<p> Live Nation Entertainment released financial results for the three and twelve months ended December 31, 2015. <\/p>\n<p> 2015 Record Year<\/p>\n<p> 2015 closed as a record year for Live Nation, driving financial and  operating results. Revenue, adjusted operating income, or AOI, and free  cash flow all grew 11% for the year, at constant currency, and we  delivered record ticket volume of 530 million.<\/p>\n<p> We continue to see the tremendous power of live events, with strong  global consumer demand. Live is a truly unique entertainment form &#8211; it  cannot be duplicated. It is elevated, not threatened by technology and  is borderless. Fans around the world can now discover, follow, share and  embrace artists, creating greater demand for live shows.<\/p>\n<p> We believe the live business sector will continue to have strong growth  for years to come as fans globally drive demand, artists are motivated  to tour, and technology drives conversion.<\/p>\n<p> Live Nation Concerts Deliver Record Year<\/p>\n<p> Live Nation Concerts continued to grow its global market share, adding  five million fans globally in 2015, for a total of over 63 million fans  while promoting 25,000 concerts, up 12% from last year. We built on our  global leadership position in every part of our business, with more fans  in both North America and internationally and across our full portfolio  of arenas, amphitheaters, festivals, theaters and clubs. The ongoing  flow of new artists also continues to re-energize the business and in  2015, 13 of our top 20 selling artists were new from the previous year.<\/p>\n<p> We see growth continuing into 2016, and through February 19th, ticket  sales are up another 5% year-on-year, driven by 18% growth in  amphitheaters and 47% growth in stadiums. We are confident we will again  see strong growth in fan demand across our business this year.<\/p>\n<p> Fans more than ever find the live experience, from club shows to  stadiums, a top entertainment choice and the best way to celebrate their  favorite artists and share the experience with other fans. This,  combined with an ongoing shift of consumer spending towards experiences,  is helping drive the structural increase in demand for concerts  globally.<\/p>\n<p> Live Nation&#8217;s Advertising Division Drives Growth in 2015<\/p>\n<p> Our high-margin advertising business grew 17% in 2015 at constant  currency, increasing both onsite and online advertising as we built our  global sponsor base by 20% to almost 900 brands. Onsite advertising  drove the majority of our growth for the year, as we increased  advertising per fan by 8% by continuing to develop new products for  sponsors at our events, along with the benefit of high growth in our  festivals.<\/p>\n<p> We continued leveraging video content from our concerts, generating over  300 million views in 2015 on Live Nation web and mobile apps and  through our distribution partners at Yahoo, Snapchat, YouTube and Apple.<\/p>\n<p> We currently expect continued advertising AOI growth at historical  levels in 2016, with over 60% of our budgeted advertising for the year  already sold, and pacing ahead of last year at this time by double-digit  levels.<\/p>\n<p> Ticketmaster Delivers Record Year<\/p>\n<p> For the fifth straight year, Ticketmaster grew its ticketing volume and  gross transaction value, or GTV, with GTV up 12% at constant currency.  Delivering $25 billion in GTV, Ticketmaster continues to be one of the  top global e-commerce sites, operating in 22 countries.<\/p>\n<p> In 2015, secondary ticketing continued to be a major focus, now  operating in 13 countries and delivering 34% growth in GTV for the year  to $1.2 billion, at constant currency. Fans have continued to say their  main goal is simply to get a ticket to the show or game they want and as  a result, integrated inventory conversion was 38% higher than primary  only offerings.<\/p>\n<p> As we focus on improving the fan buying experience, there continues to  be a rapid shift to mobile devices as the preferred purchasing platform.  As of the end of 2015, over 21 million fans have downloaded one of our  apps, a 37% increase over last year. This drove a 20% increase in mobile  ticket sales for the year to 21% of total tickets.<\/p>\n<p> Entering 2016, the Ticketmaster marketplace is better positioned than  ever as the ticketing leader in 16 countries. We have grown our client  base each year over the past five years, and combining the primary and  secondary marketplaces has substantially increased the inventory  available to fans.<\/p>\n<p> We have heavily invested in online and mobile products to increase  visits to our sites and conversion. As a result, already in 2016 we have  had three days selling over 900,000 tickets, placing them among the top  15 days of all time, setting us up to deliver robust growth in ticket  sales for the year.<\/p>\n<p> 2016 Growth Drivers<\/p>\n<p> As I have indicated, the key leading indicators for each of our  businesses are up year-on-year into February, pointing to continued  strong growth in 2016. We plan on holding more concerts for more fans in  more countries than ever before. We expect to sell more advertising,  both onsite and online. And through continued product innovation at  Ticketmaster, we plan on selling more tickets and driving increased  conversion.<\/p>\n<p> Over the last three years, we have grown AOI by 34% and free cash flow  by 45%(1); and, we expect Live Nation to continue delivering this level  of growth that we have demonstrated over the last several years. We see  the global live sector continuing to be very robust from a supply and  demand perspective.<\/p>\n<p> Live Nation continues to be the artist&#8217;s number one choice for touring  because we have an unparalleled live platform to service their concerts  and drive ticket sales to their fans. Combining a growing global  industry with Live Nation&#8217;s ability to grow its leadership position, we  expect to continue driving long-term value for our shareholders.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><span class=\"normal\">Source: Live Nation<br \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Full Year 2015 &#8211; A Record Year for Live Nation &#8211; Revenue Up 11% to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-5891","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/5891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=5891"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/5891\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=5891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=5891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=5891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}