![](\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a9\/David_Lowery.jpg\/220px-David_Lowery.jpg\")
David Lowery, the leader of the rock bands Cracker and Camper Van Beethoven, and an outspoken advocate for musicians\u2019 rights in the digital age, filed the suit on Monday in federal court in California. It contends that the company makes many songs available on its service without properly securing \u2014 or paying for \u2014 \u201cmechanical rights,\u201d which date back to the era of piano rolls but are still a major kind of music copyright. <\/p>\n
Mechanical rights refer to a copyright holder\u2019s control over the ability to reproduce a musical work. Mr. Lowery\u2019s suit contends that Spotify copies and distributes versions of his songs on its service, which streams music to some 75 million people around the world, 20 million of whom pay for monthly subscriptions.
In his suit, filed in United States District Court in Los Angeles, Mr. Lowery applied for class-action status, arguing that Spotify has failed to handle the mechanical licensing for a huge but unspecified number of songs by many songwriters. Citing statutory damages for copyright infringement, which range from $750 to $30,000 \u2014 or $150,000 for each instance of willful infringement \u2014 Mr. Lowery\u2019s suit says that Spotify could be liable for up to $150 million.
\u201cWe are committed to paying songwriters and publishers every penny,\u201d Jonathan Prince, a spokesman for Spotify, said in a statement. \u201cUnfortunately, especially in the United States, the data necessary to confirm the appropriate rights holders is often missing, wrong or incomplete.\u201d<\/p>\n
As streaming has grown, the songwriting rights \u2014 which are handled separately from those of recordings \u2014 have become more valuable and their licensing increasingly contested. Songwriters like Mr. Lowery often complain of low royalty rates or of not being paid at all, while online outlets and music publishers alike say that incomplete or conflicting data often hampers proper accounting.<\/p>\n
In October, Spotify removed from its service thousands of songs from Victory Records, an independent punk and metal label, after the label\u2019s publishing arm complained that Spotify was not paying for millions of streams. Spotify said it did not have enough data to resolve the issue, but Victory and Audiam, a company that administers its royalties, disputed this, saying they had provided data with years\u2019 worth of information.<\/p>\n
Victory\u2019s songs were quietly restored to Spotify a few weeks later, but the issue has continued to simmer. The National Music Publishers\u2019 Association estimates that 25 percent of the activity on interactive streaming services like Spotify is not properly \u201cmatched\u201d to the right data to let songwriters and their publishers get paid.<\/p>\n
Last week, Spotify announced that it would create a \u201ccomprehensive publishing administration system\u201d to fix the problem of faulty royalty information.<\/p>\n
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Source: New York Times<\/p>\n","protected":false},"excerpt":{"rendered":"
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