{"id":5247,"date":"2015-05-26T04:46:51","date_gmt":"2015-05-26T04:46:51","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2015\/05\/26\/warner-music-group-corp-reports-results-for-fiscal-second-quarter-ended-march-31-2015\/"},"modified":"2015-05-26T04:46:51","modified_gmt":"2015-05-26T04:46:51","slug":"warner-music-group-corp-reports-results-for-fiscal-second-quarter-ended-march-31-2015","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2015\/05\/26\/warner-music-group-corp-reports-results-for-fiscal-second-quarter-ended-march-31-2015\/","title":{"rendered":"Warner Music Group Corp. Reports Results For Fiscal Second Quarter Ended March 31, 2015"},"content":{"rendered":"<p><span class=\"normal\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1051\" src=\"http:\/\/skylight.gr\/administrator_wordpress\/wp-content\/uploads\/2011\/10\/warnermusicgroup.bmp\" border=\"0\" width=\"160\" height=\"110\" \/><br \/>&#8220;We experienced significant revenue growth this  quarter across key segments of our business &#8211; in particular Recorded  Music, across the U.S. and international and across digital and physical  &#8211; capping off a strong first half of our fiscal year&#8221; said Stephen  Cooper, Warner Music Group&#8217;s CEO. &#8220;Notably, in this quarter we saw  continued growth in streaming revenue which surpassed download revenue  for the first time in the history of our recorded music business. Our  commitment to being at the forefront of industry change as well as our  ongoing investment in artist development is the foundation of our  continued success.&#8221;   <!--more-->  <\/p>\n<p> &#8220;We are proud of our team&#8217;s ability to deliver a healthy financial  performance,&#8221; added Eric Levin, Warner Music Group&#8217;s Executive Vice  President and CFO. &#8220;We will continue to find opportunities for growth  while carefully watching our costs.&#8221; <\/p>\n<p> Total WMG Summary Results<\/p>\n<p> Revenue grew 3.7% (or 12.8% in constant currency). The company saw  growth in all revenue streams of its Recorded Music business, other than  Artist Services and Expanded-Rights revenue which declined 11.3% (or  was flat on a constant-currency basis). With the exception of digital,  all revenue streams of the company&#8217;s Music Publishing business declined  on an as-reported basis (though on a constant-currency basis performance  and synchronization were up and mechanical was flat). Total company  growth was mainly driven by a stronger release schedule and improved  results in licensing. Constant-currency revenue growth was widespread  across geographies with gains in the U.S., the U.K., Continental Europe,  Latin America and China partially offset by declines in Japan. Strong  physical revenue growth was driven by albums from Kid Rock and Led  Zeppelin and by albums from local artists in territories such as France  where revenue is still predominantly physical. Digital revenue grew 0.7%  (or 10.4% in constant currency), but due to the strength of physical  revenue in the quarter, digital revenue represented 43.9% of total  revenue, compared to 45.2% in the prior-year quarter. Growth in digital  revenue was driven by an increase in streaming revenue, which more than  offset a decline in download revenue. Declines in download revenue are  expected to be a continuing trend.<\/p>\n<p> Operating income was $44 million compared to an operating loss of $5  million in the prior-year quarter. OIBDA increased 64% to $121 million  from $74 million in the prior-year quarter and OIBDA margin rose to  17.9% from 11.3% in the prior-year quarter. Adjusted OIBDA increased 17%  and Adjusted OIBDA margin increased 2.1 percentage points to 18.5% from  16.4%. The increase in operating income and OIBDA is largely the result  of revenue growth and lower PLG-related expenses.<\/p>\n<p> Net income was $19 million compared to a net loss of $59 million in the  prior-year quarter. This was primarily due to higher revenue, lower  operating expenses, currency-exchange gains on our Euro denominated debt  and lower interest expense.<\/p>\n<p> Adjusted operating income, Adjusted OIBDA and Adjusted net loss exclude  the impact of PLG-related expenses, expenses related to other  cost-saving initiatives and expenses related to moving the company&#8217;s  corporate headquarters. See below for calculations and reconciliations  of OIBDA, Adjusted operating income, Adjusted OIBDA and Adjusted net  loss.<\/p>\n<p> As of March 31, 2015, the company reported a cash balance of $218  million, total long-term debt of $2.995 billion and net debt (total  long-term debt, including the current portion, minus cash) of $2.777  billion. There was no balance outstanding on the company&#8217;s revolver at  the end of the quarter.<\/p>\n<p> Cash provided by operating activities was $107 million compared to $131  million in the prior-year quarter. This was largely driven by the timing  of digital payments. Free Cash Flow, defined below, was $85 million  compared to $82 million in the prior-year quarter, reflecting lower cash  provided by operating activities more than offset by lower cash paid  for investments and lower capital expenditures. <\/p>\n<p> Recorded Music Summary Results<\/p>\n<p> Recorded Music revenue grew 5.4% (or 14.6% in constant currency), mainly  driven by a stronger release schedule. All revenue streams saw growth,  other than Artist Services and Expanded-Rights revenue which declined  11.3% (or was flat on a constant-currency basis). Strong physical  revenue growth was driven by albums from Kid Rock and Led Zeppelin and  by albums from local artists in territories such as France where revenue  is still predominantly physical. Digital revenue growth reflects  continued strength in streaming revenue. Licensing revenue grew as a  result of increased synchronization activity as well as the inclusion  for the first time of broadcast fee income for PLG repertoire across  certain European territories. The decline in Artist Services and  Expanded-Rights revenue resulted from an increase in U.S.  expanded-rights revenue which was more than offset by a decrease in  international artist services revenue due to the timing of European  concert tours. Recorded Music saw strength around the globe with Japan  the most significant exception. Domestic Recorded Music digital revenue  was $144 million or 61.0% of total domestic Recorded Music revenue.  Major sellers included Ed Sheeran, Michael Bubl\u00e9, Led Zeppelin and David  Guetta.<\/p>\n<p> Recorded Music operating income was $35 million up from an operating  loss of $19 million in the prior-year quarter and operating margin was  6.2% up from negative 3.6% in the prior-year quarter. Adjusted operating  margin increased 4.1 percentage points to 6.7% from 2.6% in the  prior-year quarter. OIBDA rose to $91 million from $39 million in the  prior-year quarter and OIBDA margin rose 8.8 percentage points to 16.1%.  Adjusted OIBDA was $94 million versus $72 million in the prior-year  quarter with Adjusted OIBDA margin up 3.2 percentage points to 16.7%.  The improvement in Adjusted OIBDA and Adjusted OIBDA margin was largely  driven by higher revenue.<\/p>\n<p> Music Publishing Summary Results<\/p>\n<p> Music Publishing revenue declined 4.1% (or rose 4.5% in constant  currency). Mechanical revenue declined 9.1% (or was flat on a  constant-currency basis) given the ongoing industry shift towards  digital. Digital revenue grew 4.3% (or was up 14.3% on a  constant-currency basis) reflecting increases in streaming revenue.  Performance revenue declined 6.4% (or was up 2.3% on a constant-currency  basis) and synchronization revenue was flat (or up 8% on a  constant-currency basis). Performance and synchronization results were  largely timing related.<\/p>\n<p> Music Publishing operating margin declined 2.1 percentage points to  28.2% from 30.3% in the prior-year quarter, as a result of the  as-reported revenue decline. Music Publishing OIBDA declined by $4  million or 7.3% to $51 million, while Music Publishing OIBDA margin  declined 1.5 percentage points to 43.6% from 45.1% also as a result of  the as-reported revenue decline.<\/span><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><span class=\"normal\">Source:\u00a0 Warner Music<br \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;We experienced significant revenue growth this quarter across key segments of our business &#8211; in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-5247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/5247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=5247"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/5247\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/1051"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=5247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=5247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=5247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}