{"id":5218,"date":"2015-05-12T05:22:46","date_gmt":"2015-05-12T05:22:46","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2015\/05\/12\/prs-for-music-release-2014-financial-results\/"},"modified":"2015-05-12T05:22:46","modified_gmt":"2015-05-12T05:22:46","slug":"prs-for-music-release-2014-financial-results","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2015\/05\/12\/prs-for-music-release-2014-financial-results\/","title":{"rendered":"PRS For Music Release 2014 Financial Results"},"content":{"rendered":"


PRS for Music, the organisation that represents 111,000 music creators in the UK and two million worldwide, published its financial results for 2014, recording combined royalty income across PRS and MCPS of \u00a3664.3m. This was an increase on 2013 of nearly 1% on a constant currency basis across PRS for Music’s revenue streams which include International, Public Performance, Television and Radio, Online and Recorded Media. This growth was achieved with a cost to revenue ratio of 11.4%, one of the lowest rates in the world. <\/p>\n

The popularity of UK songwriters and composers’ repertoires continues across the globe and drives significant export revenue, with \u00a3188.2 million in royalties collected by PRS for Music from overseas markets. Mumford & Sons, Sam Smith and James Napier, Disclosure, Charli XCX and Ed Sheeran were notably successful global exports in 2014. Despite the harsh global economic environment – particularly across the Eurozone – PRS for Music maintained its export position on a constant currency basis delivering nearly \u00a31 million more than 2013. Revenue from emerging markets grew in significance as Latin America, Africa and the Middle East delivered 37.8% growth on 2013, while Asia Pacific, dominated by the developed markets of Australia and Japan, showed growth of 2.2% on a constant currency basis.<\/p>\n

Revenue from the public performance of music rose by \u00a36m to a new high of \u00a3168.3m. There were increases across all major tariff areas with the exception of pubs and clubs which continues to show a decline in the use of music. 2014 saw a strong roster of concerts with over 30,000 events licensed. PRS for Music also saw growth in the cinema sector following the conclusion of monitoring initiatives which resulted in an 11.5% rise in conjunction with efficiency improvements.<\/p>\n

Television and radio continued to provide significant income to PRS for Music members with revenues of \u00a3165m, an increase of 2.9% on 2013. Commercial radio – driven by a recovery of the advertising market \u2013 helped radio revenues grow by 3.3% to \u00a349m, while new licences with 25 television channels including Bollywood broadcaster B4U and 13 local TV channels contributed to the growth.<\/p>\n

The online market contributed \u00a379.7m, an increase of 17.5% or \u00a311.9m year-on-year. Revenues from the licensing of on demand TV and film services have grown strongly in 2014 with new deals established with Netflix, Microsoft Xbox, and Sony Playstation. Online royalties outstripped the royalties collected from the declining physical product sector for the first time, and royalties from streaming services (\u00a338.8m) also exceeded those of downloads (\u00a326.7m) for the first time. With the transition from downloads to streaming there was a corresponding increase in the volume of usage data processed from 130 billion to 250 billion individual usages.<\/p>\n

The recorded media market delivered \u00a363.1m, which was 21.8% down from 2013 due to the well understood and continuing migration from physical product to online. <\/p>\n

Robert Ashcroft, Chief Executive of PRS for Music, said: “Despite the impact of a challenging economic backdrop in key international territories, a strong pound and the decline of the physical market, we managed to achieve our budgeted revenues in 2014. We work hard to provide an outstanding service to members with the lowest possible charge to them. Despite the potential disruption of two office moves, a major systems upgrade and a dramatic increase in the volume of music usage to process we managed to contain our costs to within budgeted levels while at the same time increasing our distribution frequency to ensure that the money reached our members more swiftly than ever before. Though there remains much more to be done as we modernise PRS for Music’s operations, this was nonetheless a landmark performance in our centenary year.”
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Source: <\/span>
PRS for Music<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

PRS for Music, the organisation that represents 111,000 music creators in the UK and two…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-5218","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/5218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=5218"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/5218\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=5218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=5218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=5218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}