{"id":4991,"date":"2015-02-19T06:19:57","date_gmt":"2015-02-19T06:19:57","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2015\/02\/19\/swedish-songwriters-push-for-fair-share-of-streaming-music-revenues-in-open-letter\/"},"modified":"2015-02-19T06:19:57","modified_gmt":"2015-02-19T06:19:57","slug":"swedish-songwriters-push-for-fair-share-of-streaming-music-revenues-in-open-letter","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2015\/02\/19\/swedish-songwriters-push-for-fair-share-of-streaming-music-revenues-in-open-letter\/","title":{"rendered":"Swedish Songwriters Push for Fair Share of Streaming Music Revenues in Open Letter"},"content":{"rendered":"<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/4\/4c\/Flag_of_Sweden.svg\/1280px-Flag_of_Sweden.svg.png\" border=\"0\" width=\"219\" height=\"136\" \/><br \/>Swedish songwriters have a bone to pick with digital music  streaming services, which they say are not allocating a fair percentage  of their revenue to the people who actually write the songs. In an open  letter published on Monday in <a href=\"http:\/\/www.aftonbladet.se\/debatt\/debattamnen\/kulturochnoje\/article20313914.ab\" target=\"_blank\">Aftonbladet<\/a>,  133 songwriters and producers from regional rights society STIM call  for a more balanced approach in the distribution of digital revenues.  <!--more-->  <\/p>\n<p class=\"p1\">The letter cites a <a href=\"http:\/\/www.cisac.org\/Newsroom\/Articles\/Creators-Call-for-Fairer-Digital-Revenues-Distribution-Model-Inspired-by-the-Fair-Trade-Movement5\" target=\"_blank\">survey<\/a> by global authors&#8217; rights body CISAC which found that songwriters are  ending up with only 3 percent of streaming revenue from Spotify in the  U.S., with the rest going to labels and publishers. STIM points out that  there hasn&#8217;t been a similar study done in Europe, but that &#8220;the  allocation of revenue here surely doesn&#8217;t differ substantially.&#8221;<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">Because digital music services and record labels do not  disclose exactly how much they are paying, the songwriters believe their  &#8220;voices are seldom heard&#8221; in the debate about streaming as a business  model &#8212; all this despite &#8220;the vast majority of music gracing the sales  and streaming chart is created by songwriters who are not artists.&#8221;<\/p>\n<p class=\"p1\">Songwriters can&#8217;t rely on touring and merchandising  revenue for income, they say, and are not being &#8220;compensated in any  other way for the loss of income experienced due to the digital market.&#8221;  The result could be that &#8220;very few songwriters will be able to afford  to create music other than as a hobby.&#8221;<\/p>\n<p class=\"p1\">The letter was timed to coincide with a meeting between  the Swedish Society of Songwriters, Composers and Authors (SKAP),  labels, Sweden-based Spotify and others to discuss how digital revenues  are divided.<\/p>\n<p class=\"p1\">&#8220;The digital revolution has meant that record companies  drastically reduced their costs of production and distribution of  music,&#8221; the letter reads. &#8220;In recent years, the record industry in  Sweden flourished thanks to Spotify, and indications are that Europe and  the rest of the world will follow suit. But the songwriters, investing  time and money into creating the music service offering, have not  received anything back. It is therefore high time to create balance in  the distribution of digital revenues.&#8221;<\/p>\n<p class=\"p1\">STIM members outline three areas where industry stakeholders should focus on:<\/p>\n<p style=\"margin-left: 25px;\">The first step should  be greater transparency. Spotify, other digital services and record  companies make use of so-called NDA, Non-Disclosure Agreements to  prevent transparency in the distribution. STIM and the other collecting  societies are forced to write on these confidentiality agreement and  shall not reveal even to its members the breakdown. Their suppliers &#8211;  songwriters &#8211; must not know how much they get paid for their products &#8212;  the songs.<\/p>\n<p style=\"margin-left: 25px;\">The second step  should be to find an allocation model that allows the whole industry to  thrive , not just the record labels and distributors who live on the  values we musicians produce.<\/p>\n<p style=\"margin-left: 25px;\">The third step that  should be discussed is that very few of streaming services endeavored to  add credits to the songwriters and producers. We think it is not right  that those who created the music also should get credit for it.<\/p>\n<p class=\"p1\">The 133 signatories:<\/p>\n<p class=\"p1\">Lasse Andersson<\/p>\n<p class=\"p1\">Tomas Andersson Wiij<\/p>\n<p class=\"p1\">Johan Becker<\/p>\n<p class=\"p1\">Johan Bejerholm<\/p>\n<p class=\"p1\">Daniel Bengtson<\/p>\n<p class=\"p1\">Anoo Bhagawan<\/p>\n<p class=\"p1\">Arnthor Birgisson<\/p>\n<p class=\"p1\">Peter Bostr\u00f6m<\/p>\n<p class=\"p1\">Jonas von der Burg<\/p>\n<p class=\"p1\">Niclas von der Burg<\/p>\n<p class=\"p1\">EagleEye Cherry<\/p>\n<p class=\"p1\">Robert &#8220;string&#8221; Dahlqvist<\/p>\n<p class=\"p1\">Adrian Davinski<\/p>\n<p class=\"p1\">Joy Deb<\/p>\n<p class=\"p1\">Linnea Deb<\/p>\n<p class=\"p1\">Mohs Denebi<\/p>\n<p class=\"p1\">Ana Diaz<\/p>\n<p class=\"p1\">Niklas Edberger<\/p>\n<p class=\"p1\">Olle Ekberg<\/p>\n<p class=\"p1\">Per Eklund<\/p>\n<p class=\"p1\">David Elfstr\u00f6m Lilja<\/p>\n<p class=\"p1\">Jade Ell<\/p>\n<p class=\"p1\">Lina Eriksson<\/p>\n<p class=\"p1\">M\u00e5rten Eriksson<\/p>\n<p class=\"p1\">Peter Alexander Esbj\u00f6rnsson<\/p>\n<p class=\"p1\">Annika Fehling<\/p>\n<p class=\"p1\">Oscar Fogelstr\u00f6m<\/p>\n<p class=\"p1\">Mikael Frithiof<\/p>\n<p class=\"p1\">Tobias Fr\u00f6berg<\/p>\n<p class=\"p1\">Magnus Funemyr<\/p>\n<p class=\"p1\">Aleena Gibson<\/p>\n<p class=\"p1\">Daniel Gidlund<\/p>\n<p class=\"p1\">Daniel Gilbert<\/p>\n<p class=\"p1\">Hakan GLANTE<\/p>\n<p class=\"p1\">Irya Gmeyner<\/p>\n<p class=\"p1\">Thomas Gson<\/p>\n<p class=\"p1\">Robert Habolin<\/p>\n<p class=\"p1\">Peter Hallstr\u00f6m<\/p>\n<p class=\"p1\">Thomas Hanna<\/p>\n<p class=\"p1\">Oscar Harryson<\/p>\n<p class=\"p1\">Mats Hedstrom<\/p>\n<p class=\"p1\">Uno Helmersson<\/p>\n<p class=\"p1\">Patrik Henzel<\/p>\n<p class=\"p1\">Louise Hoffsten<\/p>\n<p class=\"p1\">Anton Hard Af Segerstad<\/p>\n<p class=\"p1\">Henrik Janson<\/p>\n<p class=\"p1\">Martin Jarbeck<\/p>\n<p class=\"p1\">Niklas Jarl<\/p>\n<p class=\"p1\">Niels Jensen<\/p>\n<p class=\"p1\">Andreas Jismark<\/p>\n<p class=\"p1\">Andrew Johnson<\/p>\n<p class=\"p1\">Karina Kampe<\/p>\n<p class=\"p1\">Magnus Kaxe<\/p>\n<p class=\"p1\">Jackie Kavan<\/p>\n<p class=\"p1\">Niclas Kings<\/p>\n<p class=\"p1\">Jorgen Stewart<\/p>\n<p class=\"p1\">David Kruger<\/p>\n<p class=\"p1\">Jimmy Lagnefors<\/p>\n<p class=\"p1\">Anders Larsson<\/p>\n<p class=\"p1\">Tim Larsson<\/p>\n<p class=\"p1\">Caroline Leander<\/p>\n<p class=\"p1\">Peter Cetera<\/p>\n<p class=\"p1\">Ari LeTennen<\/p>\n<p class=\"p1\">Mattias Lindblom<\/p>\n<p class=\"p1\">Helienne Lindvall<\/p>\n<p class=\"p1\">Martin Lorentzson<\/p>\n<p class=\"p1\">Patrik Lorentzson<\/p>\n<p class=\"p1\">Tobias Lundgren<\/p>\n<p class=\"p1\">Niclas Lundin<\/p>\n<p class=\"p1\">Malin Maggie L\u00fcbeck<\/p>\n<p class=\"p1\">Bernard Lohr<\/p>\n<p class=\"p1\">Rikard L\u00f6fgren<\/p>\n<p class=\"p1\">Viktor Lofgren<\/p>\n<p class=\"p1\">Henrik L\u00f6rstad<\/p>\n<p class=\"p1\">Awa Manneh<\/p>\n<p class=\"p1\">Erik Martensson<\/p>\n<p class=\"p1\">Andrew Matthews<\/p>\n<p class=\"p1\">Peter Jacobson Moren<\/p>\n<p class=\"p1\">Per Magnusson<\/p>\n<p class=\"p1\">Tony Malm<\/p>\n<p class=\"p1\">Marcus Maria<\/p>\n<p class=\"p1\">Johan Moraeus<\/p>\n<p class=\"p1\">David Myhr<\/p>\n<p class=\"p1\">Anders Nilsson<\/p>\n<p class=\"p1\">Henry Nordenback<\/p>\n<p class=\"p1\">Johan Norrby<\/p>\n<p class=\"p1\">Erik Nyholm<\/p>\n<p class=\"p1\">Mats Nyman<\/p>\n<p class=\"p1\">Thomas Nyrre Nystrom<\/p>\n<p class=\"p1\">Pauline K Olofsson<\/p>\n<p class=\"p1\">Emanuel Olsson<\/p>\n<p class=\"p1\">Ollie Olsson<\/p>\n<p class=\"p1\">Per Olsson<\/p>\n<p class=\"p1\">Jonas Quant<\/p>\n<p class=\"p1\">Eric Palmqwist<\/p>\n<p class=\"p1\">Miqael Persson aka Hicks<\/p>\n<p class=\"p1\">Pettersson, Niklas<\/p>\n<p class=\"p1\">Eddie Rahmati<\/p>\n<p class=\"p1\">Johan Ramstr\u00f6m<\/p>\n<p class=\"p1\">Sigurd Resnes<\/p>\n<p class=\"p1\">Anders Ringman<\/p>\n<p class=\"p1\">Elias Ringquist<\/p>\n<p class=\"p1\">Leah Muscat Rodo<\/p>\n<p class=\"p1\">Asa Rydan<\/p>\n<p class=\"p1\">Anders F R\u00f6nnblom<\/p>\n<p class=\"p1\">Sigurd Rosnes<\/p>\n<p class=\"p1\">Hanif Hitmanic Sabzevari<\/p>\n<p class=\"p1\">Erik Sahlen<\/p>\n<p class=\"p1\">Ken Sandin<\/p>\n<p class=\"p1\">Jerry Sillah<\/p>\n<p class=\"p1\">Frederick Sonefors<\/p>\n<p class=\"p1\">Wind Sonnvik<\/p>\n<p class=\"p1\">Nicklas Stenemo<\/p>\n<p class=\"p1\">Dan Sundquist<\/p>\n<p class=\"p1\">Markus Svensson<\/p>\n<p class=\"p1\">Andreas S\u00f6derlund<\/p>\n<p class=\"p1\">Fredrik S\u00f6derstr\u00f6m<\/p>\n<p class=\"p1\">Anna Ternheim<\/p>\n<p class=\"p1\">Frederick Thomander<\/p>\n<p class=\"p1\">Max Thulin<\/p>\n<p class=\"p1\">Peo Thyr\u00e9n<\/p>\n<p class=\"p1\">Johanna Toth<\/p>\n<p class=\"p1\">Mats T\u00e4rnfors<\/p>\n<p class=\"p1\">Samuel Waerm\u00f6<\/p>\n<p class=\"p1\">Johan vegna<\/p>\n<p class=\"p1\">Christian Waltz<\/p>\n<p class=\"p1\">Par Wiksten<\/p>\n<p class=\"p1\">Anders Wikstr\u00f6m<\/p>\n<p class=\"p1\">Henrik Wikstr\u00f6m<\/p>\n<p class=\"p1\">Anders Wollbeck<\/p>\n<p class=\"p1\">Jonas Moonchild Zekkari<\/p>\n<p class=\"p1\">Frederick Fredro \u00d6desj\u00f6<\/p>\n<p class=\"p1\">Frida \u00d6hrn<\/p>\n<p class=\"p1\">Stefan \u00d6rn<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">Source: Billboard<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Swedish songwriters have a bone to pick with digital music streaming services, which they say&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-4991","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=4991"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4991\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=4991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=4991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=4991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}