{"id":4705,"date":"2014-10-22T11:41:27","date_gmt":"2014-10-22T11:41:27","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2014\/10\/22\/list-of-scientific-publications-between-2000-2014-that-are-refering-to-progressive-rock\/"},"modified":"2014-10-22T11:41:27","modified_gmt":"2014-10-22T11:41:27","slug":"list-of-scientific-publications-between-2000-2014-that-are-refering-to-progressive-rock","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2014\/10\/22\/list-of-scientific-publications-between-2000-2014-that-are-refering-to-progressive-rock\/","title":{"rendered":"List Of Scientific Publications Between 2000 \u2013 2014 That Are Related To Progressive Rock"},"content":{"rendered":"


This is a ist with scientific publications between 2000 and 2014 that explore the progressive rock genre as a main subject or they use the specific music genre in their arguments to research other music subjects. The list does not include self financed or fun funded publications, it is just a recording of how the world of science uses progressive rock in the academic research.<\/p>\n

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<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

AUTHOR<\/span><\/strong><\/p>\n<\/td>\n

\n

TITLE<\/span><\/strong><\/p>\n<\/td>\n

\n

SOURCE <\/span><\/strong><\/p>\n<\/td>\n

\n

YEAR<\/span><\/strong><\/p>\n<\/td>\n

\n

TYPE OF PUBLICATION<\/span><\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Lundberg, M.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Motivic cohesion and parsimony in three songs from Gentle Giant’s Acquiring the Taste (1971)<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 33 (2), pp. 269-292<\/span><\/p>\n<\/td>\n

\n

2014<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Donnelly, K.J.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Visualizing live albums: Progressive rock and the British concert film in the 1970s<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

The Music Documentary: Acid Rock to Electropop, pp. 171-182<\/span><\/p>\n<\/td>\n

\n

2013<\/span><\/p>\n<\/td>\n

\n

Book Chapter<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Hill, S.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Ending it all: Genesis and Revelation<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 32 (2), pp. 197-221 <\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

2013<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Dowd, T.J.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Music travels: The transnational circulation of Italian progressive rock at small-scale music festivals, 1994-2012<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Polis (Italy), 27 (1), pp. 125-156<\/span><\/p>\n<\/td>\n

\n

2013<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Ahlkvist, J.A.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

What makes rock music “prog”? Fan evaluation and the struggle to define progressive rock<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music and Society, 34 (5), pp. 639-660<\/span><\/p>\n<\/td>\n

\n

2011<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Gelbart, M.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

A cohesive shambles: The clash’s ‘London calling’ and the normalization of punk<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Music and Letters, 92 (2), pp. 230-272<\/span><\/p>\n<\/td>\n

\n

2011<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Anderton, C.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

A many-headed beast: Progressive rock as European meta-genre<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 29 (3), pp. 417-435<\/span><\/p>\n<\/td>\n

\n

2010<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

McDonald, C.J.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Rush, rock music, and the middle class: Dreaming in Middletown<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Rush, Rock Music, and the Middle Class: Dreaming in Middletown, pp. 1-255<\/span><\/p>\n<\/td>\n

\n

2009<\/span><\/p>\n<\/td>\n

\n

Book<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Keister, J., Smith, J.L.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Musical ambition, cultural accreditation and the nasty side of progressive rock<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 27 (3), pp. 433-455<\/span><\/p>\n<\/td>\n

\n

2008<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

McDonald, C.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Open secrets: Individualism and middle-class identity in the songs of rush<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music and Society, 31 (3), pp. 313-328<\/span><\/p>\n<\/td>\n

\n

2008<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Kawamoto, A.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

‘Can you still keep your balance?’: Keith Emerson’s anxiety of influence, style change, and the road to prog superstardom<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 24 (2), pp. 223-244<\/span><\/p>\n<\/td>\n

\n

2005<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Nicholls, D.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Virtual opera, or opera between the ears<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Journal of the Royal Musical Association, 129 (1), pp. 100-142<\/span><\/p>\n<\/td>\n

\n

2004<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Ferris, K.O.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Transmitting ideals: Constructing self and moral discourse on loveline<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Symbolic Interaction, 27 (2), pp. 247-266<\/span><\/p>\n<\/td>\n

\n

2004<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Spicer, M.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

(Ac)cumulative form in pop-rock music<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Twentieth-Century Music, 1 (1), pp. 29-64<\/span><\/p>\n<\/td>\n

\n

2004<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Horwitz, S.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Rand, rush, and de-totalizing the utopianism of progressive rock<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Journal of Ayn Rand Studies, 5 (1), pp. 161-172<\/span><\/p>\n<\/td>\n

\n

2003<\/span><\/p>\n<\/td>\n

\n

Conference Paper<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Palmer, J.R.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Yes, ‘Awaken’, and the progressive rock style<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 20 (2), pp. 243-261<\/span><\/p>\n<\/td>\n

\n

2001<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Atton, C.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

‘Living in the Past’?: Value discourses in progressive rock fanzines<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Popular Music, 20 (1), pp. 29-46<\/span><\/p>\n<\/td>\n

\n

2001<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Ahlkvist, J.A.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Sound and vision: Using progressive rock to teach social theory<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Teaching Sociology, 29 (4), pp. 471-482<\/span><\/p>\n<\/td>\n

\n

2001<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Covach, J.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Echolyn and American progressive rock<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Contemporary Music Review, 18 (4), pp. 13-61<\/span><\/p>\n<\/td>\n

\n

2000<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Spicer, M.S.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

A review of Rocking the classics: English progressive rock and the counterculture, by Edward Macan<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Contemporary Music Review, 18 (4), pp. 149-158<\/span><\/p>\n<\/td>\n

\n

2000<\/span><\/p>\n<\/td>\n

\n

Review<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Harbison, J.<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

<\/span><\/p>\n

Facing rock reality (1988)<\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

Contemporary Music Review, 18 (4), pp. 5-11 <\/span><\/p>\n

<\/span><\/p>\n<\/td>\n

\n

2000<\/span><\/p>\n<\/td>\n

\n

Article<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Research by: Billy Yfantis
Sources: Databases of Scientific Publications<\/p>\n","protected":false},"excerpt":{"rendered":"

This is a ist with scientific publications between 2000 and 2014 that explore the progressive…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[26],"tags":[],"class_list":["post-4705","post","type-post","status-publish","format-standard","hentry","category-food-for-thought"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=4705"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4705\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=4705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=4705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=4705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}