![](\"http:\/\/static01.nyt.com\/images\/2014\/04\/24\/arts\/BACKER-obit\/BACKER-obit-tmagSF.jpg\")
Steve Backer, who ran successful jazz programs at several major record labels, shaping the careers of visionary avant-gardists like the saxophonist-composers Anthony Braxton and Henry Threadgill as well as potent crossover bands like the Brecker Brothers, died on April 10 in Englewood, N.J. He was 76. <\/p>\n
The cause was pneumonia, said the artist manager Gail Boyd, a longtime friend.<\/p>\n
During a highly productive career of more than 40 years, Mr. Backer conducted business with the sensitivity of an aesthete, the boldness of an entrepreneur and the calculation of a pragmatist. He held to a conviction that jazz\u2019s artistic vanguard deserved to be documented \u2014\u00a0and that it could be supported on a major label with proper promotion and by balancing the roster with more commercial acts.<\/p>\n
\u201cSteve Backer opened a door for a generation of creative artists to connect to the greater culture,\u201d Mr. Braxton said in a statement to the writer David Sokol, who has been working on Mr. Backer\u2019s memoirs. \u201cHe is as much of an American\u00a0pioneer as the creative artists he has championed.\u201d<\/p>\n
Stephen Alan Backer was born in Brooklyn on June 3, 1937, to Martin and Judith Backer. He grew up immersed in jazz, partly through the influence of his father, a saxophonist. But, after graduating from Hofstra University with a degree in business and holding a variety of jobs, he entered the record business during the Woodstock era, initially doing radio promotion for MGM and Elektra, whose rosters included Laura Nyro, Richie Havens and the Doors.<\/p>\n
After moving to ABC Records in 1971 to do promotion and publicity, Mr. Backer developed a series of reissues for the company\u2019s Impulse label and organized a package tour of some of the label\u2019s artists, with\u00a0avant-gardists like the saxophonists Pharoah Sanders and Archie Shepp playing at rock clubs and colleges. The tour\u2019s popularity led to Mr. Backer\u2019s advancement to general manager of Impulse. Among his first signings were the pianist Keith Jarrett and the saxophonists Sam Rivers and Gato Barbieri.<\/p>\n
Mr. Backer left Impulse in 1974 at the invitation of Clive Davis, who had recently started Arista Records. As the head of that label\u2019s jazz division, Mr. Backer helped document some of the most adventurous music of the era. Down Beat magazine bestowed \u201calbum of the year\u201d honors on three uncompromising Arista albums in the \u201970s, by the pianist Cecil Taylor, Mr. Braxton and the trio Air.<\/p>\n
After leaving Arista in the early 1980s, Mr. Backer worked briefly at the Windham Hill label and then settled in at RCA, where he signed an array of young jazz talent to his Novus imprint, including the saxophonist Steve Coleman, the trumpeter Roy Hargrove and the pianist Danilo P\u00e9rez. He did something similar in the \u201990s at a revived Impulse, tapping into the scene around the Greenwich Village club Smalls on both a \u201cLive at Smalls\u201d compilation and a series of individual studio albums.<\/p>\n
Mr. Backer, who lived in Englewood, was married and divorced twice. He is survived by his brother, Jeffrey; a daughter, Lee; a son, Matthew; and two grandchildren.<\/p>\n
The body of work that Mr. Backer shepherded to release \u2014 notably the Arista albums of Mr. Braxton and the reed player and composer Henry Threadgill \u2014\u00a0has continued to win critical acclaim in reissue.<\/p>\n
\u201cNobody else was doing this,\u201d he said of those albums in 2009, \u201cand I\u2019m proud that we were able to do it.\u201d<\/p>\n
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Article Source: The New York Times Steve Backer, who ran successful jazz programs at several major record labels, shaping the careers…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-4266","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=4266"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4266\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=4266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=4266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=4266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Image credits: Sara Krulwich\/The New York Times<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"