{"id":4069,"date":"2014-02-17T00:00:00","date_gmt":"2014-02-17T00:00:00","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2014\/02\/17\/band-of-skulls-manager-and-label-on-unique-financial-backing\/"},"modified":"2014-02-17T00:00:00","modified_gmt":"2014-02-17T00:00:00","slug":"band-of-skulls-manager-and-label-on-unique-financial-backing","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2014\/02\/17\/band-of-skulls-manager-and-label-on-unique-financial-backing\/","title":{"rendered":"Band Of Skulls manager and label on unique financial backing"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Band_Of_Skulls_Ottawa.jpg\/220px-Band_Of_Skulls_Ottawa.jpg\" border=\"0\" width=\"220\" height=\"330\" \/><br \/>UK three-piece Band Of Skulls could be heading for big breakthrough  success with the release of their third album Himalayan &#8211; via a uniquely  independent setup. Produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, The Cribs),  Himalayan has been described as \u201ca coming of age record,\u201d by frontman  Russell Marsden. Out on March 31, it comes after debut LP Baby Darling  Doll Face Honey in 2009 and second album Sweet Sour in 2012.   <!--more-->  <\/p>\n<p>Lead single Asleep At The Wheel <a href=\"http:\/\/www.musicweek.com\/news\/read\/band-of-skulls-land-netflix-synch-deal\/057305\" target=\"_blank\">has already been picked<\/a> for a worldwide ad sync by video-on-demand service Netflix.<\/p>\n<p>Himalayan is licensed to Ignition in the UK directly by the band, who  retain ultimate ownership of all of their master copyrights. The album  will be issued via Kobalt Label Services in North America and PIAS\/Co-Op  for the rest of the world.<\/p>\n<p>Like the band\u2019s previous two efforts, Himalayan has been funded  through a unique setup involving investment collective ATC Management,  Phi Group and Shangri-La, which sees profits split 50\/50 between the  group and their backers. This model allows them \u201ccomplete creative  control,\u201d according to band manager Mick Paterson, as well as a  recording budget that would trump that offered by \u201cmost major labels\u201d.<\/p>\n<p>One exciting aspect of the Himalayan campaign is the involvement of  Ignition Records &#8211; the company that has previously released  platinum-selling albums from artists such as Stereophonics and Noel  Gallagher\u2019s High Flying Birds.<\/p>\n<p>Co-owner at Ignition, Alex McKinlay, is predicting big things. \u201cWe\u2019ve  been fans of Band Of Skulls for several years now having watched them  develop from their early success in the US,\u201d he tells <em>Music Week<\/em>.  \u201cThey\u2019re a fantastic live band and are almost unique in recent years  for a UK artist, having built up a very strong fanbase both here and in  the United States entirely independently. Band Of Skulls are now  perfectly positioned to break through to a wider audience. With  Himalayan they\u2019ve made an album that has the potential to do that.\u201d<\/p>\n<p>Band Of Skulls officially formed in 2008, previously touring and  recording under the name of Fleeing New York. Hailing from Southampton,  Marsden, Emma Richardson (bass, vocals) and Matt Hayward (drums) started  touring with Black Rebel Motorcycle Club and The Dead Weather and by  the end of 2012 had played their largest shows to date \u2013 including a  headline slot at London\u2019s 5,000 capacity Brixton Academy.<\/p>\n<p>They\u2019ve since supported Muse and the Red Hot Chili Peppers and have  just announced tour dates for 2014 including two shows at London\u2019s  Shepherd\u2019s Bush Empire on March 27 and 28.<\/p>\n<p>\u201cThe budget for Himalayan was fairly substantial,\u201d says Paterson.  \u201cThe band spent six weeks in a studio in London, we had a writing studio  before that, we had a producer, it was mixed in LA \u2013 all those things  are expensive, it wasn\u2019t a cheap record. In terms of level of investment  I would say it was probably more than we would have got in most  situations and the band got an advance as well.\u201d<\/p>\n<p>Paterson hopes Himalayan will sell more than the 40,000 that Sweet  Sour achieved in the UK &#8211; but also that working with Kobalt in the US  will help prove that the increasingly popular artist and label services  model can break new acts.<\/p>\n<p>\u201cIf Kobalt can take something and break it through the label services  side then it will validate their system,\u201d he explained. \u201cThey\u2019ve done  great with Nick Cave and the Pet Shop Boys but they\u2019re both established  acts. If the label services thing has really got legs, if it\u2019s really  going to work long-term, then they\u2019ve got to work with bands like this  and take it from 50,000 to 200,000 sales. Then they can say: \u2018We\u2019re  doing a proper job.\u2019\u201d<\/p>\n<p>Band Of Skulls licensed their last album in the US through Vagrant,  but have chosen a different release route this time, tapping into  Kobalt\u2019s a la carte services option.<\/p>\n<p>\u201cWhen we were putting Sweet Sour out through Vagrant we weren\u2019t  really pleased; we felt it was under-resourced,\u201d says Paterson. \u201cThis  time the partners [dedicated] some of the money out of their side of the  partnership to spend on marketing and tour support. They\u2019ve always tour  supported everything when it\u2019s been needed, which you don\u2019t get out of  many labels these days. It\u2019s enabled the band to build up a really good  touring profile.<\/p>\n<p>\u201cThe end result is that the band makes money touring now so the  partners make money. They invested because they could see there was a  pay-off.\u201d<\/p>\n<p>\u00a0<\/p>\n<p>Source: Music Week<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UK three-piece Band Of Skulls could be heading for big breakthrough success with the release&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-4069","post","type-post","status-publish","format-standard","hentry","category-music-news"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=4069"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/4069\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=4069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=4069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=4069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}