{"id":350,"date":"2010-10-17T14:59:27","date_gmt":"2010-10-17T14:59:27","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2010\/10\/17\/cannibal-corpse-slims-san-francisco-ca-05-05-10-wednesday\/"},"modified":"2010-10-17T14:59:27","modified_gmt":"2010-10-17T14:59:27","slug":"cannibal-corpse-slims-san-francisco-ca-05-05-10-wednesday","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2010\/10\/17\/cannibal-corpse-slims-san-francisco-ca-05-05-10-wednesday\/","title":{"rendered":"Cannibal Corpse, Slim\u2019s, San Francisco, CA"},"content":{"rendered":"

Concert Review: Cannibal Corpse, Slim\u2019s, San Francisco, CA, 05-05-10 (Wednesday)<\/span><\/p>\n

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<\/span><\/span><\/span><\/span>On Wednesday, May 5, 2010 Cannibal Corpse (\u201cCC\u201d) played Slim\u2019s night club in San\u00a0Francisco.\u00a0 CC played a 19\u2011song, 84\u2011minute, sold out set from 10:20 to 11:44.
1. Scalding Hail (Evisceration Plague, 2009) is a frenetic song less than two minutes in length off CC\u2019s latest record.\u00a0 George \u201cCorpsegrinder\u201d Fisher\u2019s (\u201cGF\u2019s\u201d) vocals kicked in less than five seconds, \u201cFlying chunks of hot debris rushing through the air.\u00a0 Vapors causing blisters eyes blinded by the glare.\u00a0 Clouds that shower death hell falling from the sky.\u00a0 Searing rain of molten rock, flesh begins to fry.\u201d\u00a0 GF sang the first three verses in quick succession with Pat O\u2019Brien (\u201cPO\u201d) and Rob Barrett\u2019s (\u201cRB\u2019s\u201d) guitar riffs of less than five seconds separating each verse.\u00a0 After the third verse GF screamed, \u201cScalding hail!\u201d\u00a0 GF paused three seconds between the two words, screaming the second with more conviction than the first.\u00a0 GF wore an Evocation (Swedish death metal band) black t\u2011shirt, black cargo cotton slacks, and black combat boots. \u00a0After the first chorus, from approximately the 0:50 to 1:05 marks (approximations presumed throughout), PO, RB, and Alex Webster (\u201cAW\u201d) played frenetic riffs.\u00a0 After the second chorus PO, RB, AW, and Paul Mazurkiewicz (\u201cPM\u201d) played their instruments, sounding like a possessed hornet\u2019s nest.<\/p>\n


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2. Unleashing the Bloodthirsty (Bloodthirst, 1999) is a fairly slow tempo song with an ominous brooding feel.\u00a0 PO, RB, and PM\u2019s verse riffs gave the song a chugging, groovy feel.\u00a0 The tempo slightly slowed down when GF twice repeated the chorus, \u201cBlood.\u00a0 They live, they thirst.\u00a0 Blood.\u201d\u00a0 GF emphasized the first and last words by screaming, \u201cBlooooooood.\u201d\u00a0 The tempo significantly increased when GF sang the third verse, \u201cFirst one that they find.\u00a0 Attack the mortal.\u00a0 Claws tear at his face.\u00a0 Pull the flesh from bone.\u00a0 Decapitate the man.\u00a0 They hold his head aloft.\u00a0 Headless body slumps.\u00a0 The blood is gushing out.\u00a0 Screaming victims fall.\u00a0 Repulsive beasts attack.\u00a0 Gore pours from the torso.\u00a0 Hellish creatures stab.\u00a0 Organs, grisly trophies.\u00a0 Rewards for their rage.\u00a0 Blood drips from their jaws.\u00a0 They disembowel the corpse.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The third chorus differed from the first two because GF sang, \u201cKill with speed.\u00a0 Victims bleed.\u00a0 Wretched souls.\u00a0 Headless on poles. (five\u2011second pause) Savage thirst.\u00a0 Vessels burst.\u00a0 Torn apart.\u00a0 Eat the heart.\u201d\u00a0 Following the third verse RB and PO traded guitar solos for 15\u00a0seconds.\u00a0 PO, RB, AW, and PM then jammed for 10\u00a0seconds, leading back to the first two choruses that featured a fairly slow tempo.<\/p>\n


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3. Murder Worship (Kill, 2006) began amidst a sea of PM\u2019s bass drums while PO and RB twice played a catchy four-chord progression.\u00a0 At the 0:20 mark GF began singing the first verse.\u00a0 The verses featured PM smashing his snare drums a la Dave Lombardo (Slayer drummer) and PO and RB playing a driving series of up tempo riffs.\u00a0 During the break between the first and second verses PO and RB twice played the catchy four-chord progression.\u00a0 After the first chorus GF sang, \u201cPray to our god.\u00a0 With blood we praise his epic acts of hate and homicidal glory, legendary murders.\u00a0 Trust in our lord.\u00a0 Leads us to kill in the same way that he did, sever all the heads in sacrificial splendor.\u00a0 He is close now.\u00a0 Soon he will be among us leading, violence, ruin, divinity, homicideeeeeeee!\u201d\u00a0 Before GF sang the third verse, from the 2:30 to 3:10 marks, PO, RB, and AW alternated between chugging and complicated riffs.<\/p>\n


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4. Sentenced to Burn (Gallery of Suicide, 1998) is an up tempo song that featured PO, RB, and AW\u2019s chugging riffs.\u00a0 From the 0:15 to 1:05 marks GF sang the 40\u00a0lines of the first verse in rapid succession and emphasized the final word of the last verse, \u201cThey will all dieeeeeeee.\u201d After the first chorus PO played a five\u2011second guitar run.\u00a0 When GF sang the second chorus he screamed the final word, \u201cPile the bodies.\u00a0 Set them aflame.\u00a0 The human race.\u00a0 Sentenced to burrrrrrrrn.\u201d\u00a0 From the 2:05 to 2:15 marks PO and RB played riffs with harmonies, which was followed by PO\u2019s 15\u2011second guitar solo.\u00a0 PO wore a black t\u2011shirt with an unidentifiable band\u2019s name, black cargo cotton slacks, and black combat boots.\u00a0 PO played a black B.C. Rich Custom\u00a0V guitar and used Mesa Boogie amplifiers (\u201camps\u201d).<\/p>\n

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5. Savage Butchery (Gore Obsessed, 2002) is a frenetic song less than two minutes in length.\u00a0 During the first verse GF sang, \u201cStriking out with rage I pound him, stomp him.\u00a0 Co*k sucking bastard don\u2019t feel mercy for him.\u00a0 With bare hands I break his legs, break his neck.\u00a0 Now my jagged blade will bring him to his death.\u00a0 Savage killer merciless machine.\u00a0 Butchering victims and watching them bleed.\u00a0 Savage killer chopping off limbs.\u00a0 Butchering for revenge, heartless assassin.\u00a0 Now the cutting starts I stab him, slash him.\u00a0 Less than a minute he became a victim.\u00a0 Now I will sever his legs, his neck.\u00a0 Hatred enemy his body I dissect. \u00a0Savage.\u201d\u00a0 The tempo slowed during the chorus as GF sang, \u201cSavage\u00a0\u2026 butchery.\u00a0 Ravage\u00a0\u2026 ruthlessly.\u201d\u00a0 GF emphasized and spaced out each word.\u00a0 PO then played a 15\u2011second guitar solo after which GF brought the song to a climax by screaming, \u201cSavage\u00a0butchery. \u00a0Savage.\u201d\u00a0 <\/p>\n


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6. The Cryptic Stench (Tomb of the Mutilated, 1992).\u00a0 Before The Cryptic Stench GF said, \u201cWe\u2019re gonna do some old stuff now.\u00a0 Are you ready for some old stuff?\u00a0 The Cryptic Stench!\u201d\u00a0 The Cryptic Stench is a mid tempo song that, for the first 55\u00a0seconds, featured the band headbanging in unison amidst a sea of blue lights, as well as the musical talents of PO, RB, AW, and PM, particularly PM who bashed the life out of his tom-tom drums.\u00a0 After the first verse GF sang an interesting catchy line, \u201cIndulgence in the blood, intoxicated from its drug.\u00a0 It warms my cold soul.\u201d\u00a0 GF sang each verse in a lower than usual octave with little pause between verses.\u00a0 However, GF did make a five\u2011second pause after the third verse during which PO and RB\u2019s memorable riffs were highlighted.\u00a0 After the fourth verse the band slowed the tempo for 20\u00a0seconds before the mid tempo pace resumed and GF sang my favorite verse, \u201cIn my clutch, you greet me with open arms.\u00a0 Soon I will rip them off.\u00a0 And drink the blood from the stumps.\u00a0 Life and death are too clear.\u00a0 But mankind is blind to see.\u00a0 The twisted path of their own mortality.\u201d<\/p>\n



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7. Pounded Into Dust (Bloodthirst, 1999).\u00a0 Before Pounded Into Dust GF said, \u201cWell I know everybody out there has someone in their lives whose head you want to bash in.\u00a0 But you shouldn\u2019t do that because it will get you into jail.\u00a0 Instead take your aggression out in the pit.\u201d\u00a0 Pounded Into Dust is a fairly fast tempo two\u2011minute song.\u00a0 GF sang the first two verses in fairly rapid fashion as if comprised of run\u2011on sentences, \u201cForces of hate meet.\u00a0 Gather for the siege.\u00a0 Encircling their foe.\u00a0 The raid begins.\u00a0 Their revenge is sought.\u00a0 Through violence, smashing, killing, stabbing, pounding.\u00a0 Iron weapons clash.\u00a0 Evil warriors strike.\u00a0 Hammers cracking skulls.\u00a0 Axes chopping heads.\u00a0 Their revenge is now.\u00a0 Through violence, smashing, killing, stabbing, pounding.\u201d\u00a0 GF then sang the first chorus during which he emphasized the final word and drew it out with much audience participation, \u201cBlood soaks the ground.\u00a0 In their own, they will drown.\u00a0 Surrounded by disgust.\u00a0 Pounded into duuuuuuuust.\u201d\u00a0 After the third verse PO played a five\u2011second solo.\u00a0 GF then sang the third and final chorus.<\/p>\n



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8. The Wretched Spawn (The Wretched Spawn, 2004).\u00a0 Before The Wretched Spawn AW raised the devil horns to salute the crowd while GF said, \u201cIt\u2019s time to slow things down.\u00a0 The Wretched Spawn.\u201d\u00a0 The first 25 seconds of The Wretched Spawn features PO, RB, and AW playing complicated riffs.\u00a0 AW was particularly prominent in the mix.\u00a0 AW is an exceedingly underrated bass player who plucks the bass strings a la Steve Harris (Iron Maiden bassist), often doing so with all four fingers of his right hand.\u00a0 AW wore a Eulogy (death metal band from Tampa, Florida) black t\u2011shirt, black jean pants, black sneakers, and black wristbands on both wrists.\u00a0 AW played a black Modulus Quantum 5 five\u2011string bass and used SWR Megoliath amps. GF sang the first verse at a fairly slow tempo, \u201cConceived through rape.\u00a0 Procreate.\u00a0 A vicious brood.\u00a0 Ravaging intercourse.\u00a0 Penetrate with force.\u00a0 Forsaken, nude.\u201d\u00a0 The chorus featured an interesting catchy exchange between GF\u2019s vocal deliveries quickly followed by PO and RB playing the same melody sung by GF as palm\u2011muted, harmonic riffs.\u00a0 The chorus has an interesting twist in that after GF sang the second chorus he went straight into the third chorus with slightly varying lyrics, \u201cSpawn of the wretched, bred from the damned.\u00a0 Gone are the instincts normal for man.\u00a0 Spawn of the wanton loins of the cruel.\u00a0 Spawned by brute force, used as a tool.\u00a0 The wretched spawn, violence will rule.\u201d<\/p>\n


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From the 2:15 to 2:30 marks PO, RB, AW, and PM engaged in a frenetic jam immediately followed by GF screaming, \u201cScion of the murders.\u00a0 A bloodline so profane.\u00a0 Born insane.\u00a0 Predestined to annihilate.\u00a0 Through sinister eugenics.\u00a0 Sworn to kill, they will.\u201d\u00a0 As GF sang the final line the tempo drastically decreased.\u00a0 The tempo gradually increased as GF screamed, \u201cIt was made to kill!\u201d\u00a0 GF then played air drums in unison with PM\u2019s bass drums and engaged in his signature headbanging, firmly grasping his microphone with his right hand, resting his left hand on his thigh, and rapidly rotating his head bent forward in sweeping clockwise fashion.\u00a0 All that was visible of GF\u2019s head was a long mane of auburn hair swirling around like a whirling dervish.\u00a0 AW joined GF in rotating his head while masterfully performing three-finger string plucking.\u00a0 PO and RB traded guitar solos for 15 seconds.\u00a0 The Wretched Spawn led straight into Gutted.<\/p>\n

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<\/span><\/span><\/span><\/span><\/span>9. Gutted (Butchered at Birth, 1991) begins with PO and RB\u2019s chugging riffs.\u00a0 At the 0:20\u00a0mark GF began singing the first verse in a particularly low octave and fast pace without much pause between verse lines.\u00a0 Following the first and second verses PO, RB, and AW played ominous, mid tempo riffs for 10\u00a0seconds reminiscent of early Slayer.\u00a0 The mid tempo continued part way through the second verse, until the 1:15 mark, at which point the tempo escalated.\u00a0 Between the second and third verses PO, RB, and AW played a dizzying array of riffs while PM frenetically bashed the life out of his bass drums.\u00a0 Gutted and two other songs to be performed received the strongest audience reaction.<\/p>\n


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10. Evisceration Plague (Evisceration Plague, 2009).\u00a0 Before Evisceration Plague the audience began a well\u2011deserved homage during which they repeatedly chanted, \u201cGeorge.\u201d\u00a0 GF responded by saying, \u201cThank you.\u00a0 That is awesome.\u00a0 We have a new album.\u00a0 It has been out for a while.\u00a0 You should have it or I will find you and kill you.\u00a0 Some of you sick mother f**kers will like that.\u201d\u00a0 Evisceration Plague is a mid tempo song.\u00a0 For the first 35\u00a0seconds PO and RB played a chugging, brooding riff amidst green stage lights.\u00a0 Between each verse PO played a searing 10\u2011second guitar run atop RB\u2019s ominous riffs.\u00a0 During the catchy chorus GF sang, \u201cBeg for your life, you won\u2019t escape the knife.\u00a0 Your fate was sealed today.\u00a0 Disease will spread, you pray for death.\u00a0 Evisceration plague.\u201d \u00a0PM\u2019s bass drums and the audience\u2019s repeated chant of \u201cHoy!\u201d augmented the chorus.\u00a0 At the end of the third verse, while PB frantically struck his bass drums, GF sang, \u201cMy entrails are in my hands (sung two times).\u00a0 Plague leads to death (sung four times).\u201d\u00a0 PO then played a 25\u2011second guitar solo.\u00a0 The signature aspect of Evisceration Plague is how its melody featured by GF\u2019s singing, PO and RB\u2019s riffs, and PB\u2019s drumming all presented a united front creating an evil wall of sound that compelled the audience to bang their heads.<\/p>\n


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11. Disfigured (Vile, 1996).\u00a0 The band briefly paused after Evisceration Plague during which GF simply growled, \u201cDisfigured.\u201d\u00a0 Disfigured is a mid tempo song highlighting PB\u2019s drumming skills, particularly his heavy\u2011handed beating of (1)\u00a0cymbals during the verses and (2)\u00a0bass and tom\u2011tom drums during the choruses.\u00a0 PM wore a black t\u2011shirt and shorts.\u00a0 PM played a red Tama drum kit featuring subtle black speckles, double bass drums, and Zildjian cymbals.\u00a0 PM\u2019s kit features an interesting set up with his drum stool positioned very low to the ground.\u00a0 [The stool height and lack of a drum riser gave an odd appearance to the kit, making it almost appear as if PM was hiding behind it or driving a lowrider (i.e.,\u00a0car with a suspension system modified with hydraulic suspension to ride as low as possible to the ground).]<\/p>\n

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The third verse contains particularly enticing lyrics, \u201cA straight razor will reshape my face.\u00a0 First my ears then my nose.\u00a0 Blood is gushing continue to carve.\u00a0 Erase the face I hate.\u201d\u00a0 From the 1:40 to 2:10 marks the tempo escalated as PB frantically hit his snare drums and GF sang, \u201cI fill my tub, with alcohol.\u00a0 I plunge into the burning pool.\u00a0 The pain intense, my whole body\u00a0… is drenched in scalding liquid.\u00a0 Despite my pain I am able\u00a0\u2026 to grab a lighter on the counter.\u00a0 The flint ignites, the flames erupt.\u00a0 I\u2019m consumed in the inferno.\u00a0 Cauterize\u00a0\u2026 my skin is charred.\u00a0 Regenerate\u00a0\u2026 more loathsome than before.\u201d\u00a0 The tempo slightly slowed down as GF sang the fifth and sixth verses.\u00a0 Disfigured does not feature a guitar solo.\u00a0 However, from the 3:00 to 3:50 marks, PO, RB, AW, and PM jammed at a mid tempo pace.\u00a0 At the end of the song PO and RB played a lingering note accentuated by use of their guitar tremolo bars amidst a wall of feedback.\u00a0 [The searing feedback was loud enough to Disfigure the faces of those in close proximity to the amps.]<\/p>\n

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12. Scattered Remains, Splattered Brains (Eaten Back to Life, 1990).\u00a0 Before Scattered Remains, Splattered Brains an inebriated fan shouted, \u201cHey George I am thirsty.\u201d\u00a0 With little pause GF matter\u2011of\u2011factly responded, \u201cGo buy a drink.\u00a0 I am not a soda machine, nor a cooler.\u201d\u00a0 (fans shouted to show their enthusiasm for the band) \u00a0\u201cI am trying to talk.\u00a0 Shut the f**k up.\u00a0 This is off the first album.\u00a0 In fact this is the first song the band played live.\u00a0 Scattered Remains, Splattered Brains.\u201d\u00a0 The first 35\u00a0seconds featured PO, RB, and AW\u2019s descending, slow tempo chord progressions into the depths of hell augmented by PM\u2019s drum beats and use of red stage lights.\u00a0 At the 0:35 mark the song shifted to an up tempo mode with the introduction of PM\u2019s drum beats. \u00a0GF rapidly sang the first verse and chorus without much pause in between.\u00a0 [GF sang with great clarity even when he sang the lyrics at a rapid pace as if he was spitting out toxic kerosene.]\u00a0<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 From the 1:00 to 1:10\u00a0marks PO, RB, AW, and PM jammed on their instruments at a frenetic pace and then slowed the pace for the next 10 seconds during which PO and RB played harmonic riffs reminiscent of early Slayer that carried over into the second verse.\u00a0 At the 1:40\u00a0mark PM\u2019s drum beats shifted the song to a very up tempo mode.\u00a0 GF also rapidly sang the third verse and chorus without much pause in between.\u00a0 The chorus lyrics are particularly interesting, \u201cHack, slice, chop, carve, rip and tear.\u00a0 Carving up your eyeballs, watch them sit and stare.\u00a0 Tear, rip, slice, carve, chop, hack.\u00a0 Toss them into a sack.\u201d\u00a0 Scattered Remains, Splattered Brains, Gutted, and a third song to be performed received the strongest audience reaction.\u00a0<\/p>\n

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13. Make Them Suffer (Kill, 2006).\u00a0 Before Make Them Suffer the white stage lights shined on the crowd and GF said, \u201cI want to see a really big pit for this song.\u00a0 If you see someone out there playing with their di*ks or playing with their girlfriend\u2019s ti*s, tell them to do that on their own time. This is OUR time.\u00a0 Throw them in the pit and Make Them Suffer!\u201d\u00a0 Make Them Suffer is a very frenetic song that, at the 0:10 mark, featured GF scream, \u201cSuffeeeeeeeer!\u201d\u00a0 Between the second and third verses PO and RB played a dizzying array of complicated riffs augmented by PM\u2019s driving bass and tom\u2011tom drums.\u00a0 [RB moved his left hand so quickly across the fretboard it resembled a hummingbird\u2019s wings in mid flight.]\u00a0 RB wore an Infernal Majesty (thrash band from Toronto, Canada) black t\u2011shirt, black cargo cotton pants, black boots, and black wristbands on both wrists.\u00a0 RB primarily played a grey Dean guitar with black trim and sparingly played a black Dean guitar with red trim.\u00a0 RB used Mesa Boogie amps.\u00a0 \u00a0<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PO, RB, and AW played the same melody GF sang during the first chorus.\u00a0 GF twice sang the chorus before and after PO\u00a0played a 10\u2011second guitar solo amidst the battery of PM\u2019s bass drums. \u00a0The lyrics for each chorus slightly varied.\u00a0 For the first chorus GF sang, \u201cMake them suffer while they plead for cessation.\u00a0 Entirely demoralized and close to mass extinction.\u00a0 Damned to please supremacy.\u00a0 The reason for their martyrdom they will never know.\u201d\u00a0 GF thrice repeated the phrase, \u201cMake them suffer\u201d before singing the second part of the chorus, \u201cMake them suffer while they bleed through damnation.\u00a0 Begged for retribution before meeting with demise.\u00a0 Cursed by animosity.\u00a0 Once chosen for this mad ordeal there is no escape.\u201d\u00a0 Make Them Suffer was the most technically proficient song the band performed
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14. Priests of Sodom (Evisceration Plague, 2009).\u00a0 Before Priests of Sodom GF said, \u201cTime to send out a very special dedication.\u00a0 This song is going out to all the women.\u00a0 It\u2019s not the song you think it is.\u00a0 This song goes out to the ladies, but a special kind of lady.\u00a0 It goes out to the sluts out there.\u00a0 (female fans screamed in delight)\u00a0 Priests of Sodom.\u201d\u00a0 Priests of Sodom is an up tempo song that began amidst GF\u2019s scream, AW\u2019s galloping, heavy bass lines, and PM\u2019s pummeling snare and bass drums.\u00a0 The verses have an interesting twist in that GF repeated the even\u2011numbered verse lines to which he added an introductory phrase (e.g.,\u00a0\u201cyou must,\u201d \u201cthere is\u201d), \u201cThe blackened city calls out.\u00a0 Enter the temple of sin.\u00a0 You must enter the temple of sin.\u00a0 Contorted sinners beckon.\u00a0 Join our twisted rites.\u00a0 You must join our twisted rites.\u00a0 The priest\u2019s eyes gleam.\u00a0 Blood on their scepters of flesh.\u00a0 There is blood on their scepters of flesh.\u00a0 The nubile virgin bows.\u00a0 Await the piercing thrust.\u00a0 She awaits the piercing thrust.\u201d \u00a0GF\u2019s vocals were augmented by PO and RB\u2019s chugging riffs syncopated with PM\u2019s bass and tom\u2011tom drums.\u00a0 After the second chorus GF sang the verse with the most interesting lyrics, \u201cStatues of demons glisten with sweat.\u00a0 The orgy intensifies violence begins.\u00a0 Flagellate sluts with serpentine whips.\u00a0 They raise their blades to throats of their men.\u00a0 Climax approaches and the blood will spill.\u00a0 Sexual sacrifice, mutilation and death.\u201d\u00a0 After this verse GF shouted and repeated five times, \u201cMurderrrrrrrr \u2026 Priest of sodom.\u201d \u00a0PO played a 20\u2011second guitar solo after which GR sang the final chorus amidst the torrent of PM\u2019s bass drums, \u201cPerverse rites.\u00a0 Priests of sodom preside.\u00a0 We are damned. \u00a0Immortal lust.\u00a0 Wicked legions come forth.\u00a0 Defile the pure.\u201d<\/p>\n

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15. Staring Through the Eyes of the Dead (The Bleeding, 1994).\u00a0 The band briefly paused after Priests of Sodom during which GF growled, \u201cStaring Through the Eyes of the Dead.\u201d\u00a0 From the 0:30 to 1:20 marks of this mid tempo song GF sang the first verse at a particularly low octave while PO and RB played a recurring, muted riff. \u00a0The tempo drastically increased as GF sang the chorus, \u201cHelp me I\u2019m not dead.\u00a0 Wake me from this hell.\u00a0 Tell me I\u2019m alive.\u00a0 Dead.\u201d\u00a0 The higher tempo carried into the second verse and chorus.\u00a0 When GF sang the final word of the second chorus (i.e.,\u00a0\u201cdead\u201d ), the tempo significantly slowed to its initial pace and the audience chanted, \u201cDead.\u201d\u00a0 The tempo once again escalated right before PO and RB traded guitar solos for 20\u00a0seconds.\u00a0 Scattered Remains, Splattered Brains, Gutted, and Staring Through the Eyes of the Dead received the strongest audience reaction.<\/p>\n

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16. Devoured by Vermin (Vile, 1996).\u00a0 Before Devoured by Vermin GF said, \u201cDo you still want more?\u00a0 Do you all want more?\u00a0 This is the first song on the vinyl album.\u00a0 You know what it is, don\u2019t you?\u00a0 Devoured by Vermin!\u201d\u00a0 Devoured by Vermin is a full throttle frenetic thrash song that began with GF\u2019s 10\u2011second growl and PM\u2019s pummeling of his snare and bass drums.\u00a0 [The band created a formidable wall of sound that shook my stomach.\u00a0 Given my stomach\u2019s size, that is an impressive feat.]\u00a0 GF rapidly sang the first verse without much pause between verse lines, \u201cRavenous waves attack drawn by the scent of life, fever for our blood.\u00a0 Instinct rules this mass, ruthless living sea.\u00a0 Devouring.\u00a0 Countless vermin gnashing at my face.\u00a0 Tear meat from my skull. Swarming, rabid, features are erased, unrecognizable. Body covered, rat-filled innards. Shred internal organs. Heart and lungs consumed from inside but my pain doesn’t end. I have not died.\u201d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GF twice repeated the chorus, \u201cDevour, cesspool of vermin.\u00a0 Devour, bloodthirsty rabid, devoured by vermin.\u201d \u00a0GF emphasized the word \u201cdevour\u201d by singing it at a slower pace and in an evil tone.\u00a0 The chorus prominently featured PM\u2019s tom\u2011tom drums.\u00a0 After the second chorus the tempo switched to a mid tempo pace while GF sang, \u201cRuthless gnawing vermin-feed.\u00a0 Cleaning off my bones while I breathe.\u00a0 Stenching greasy rodents-swarm.\u00a0 My body is losing its form.\u201d\u00a0 From the 2:05 to 2:40 marks the tempo significantly slowed down and PO and RB played ominous riffs reminiscent of Celtic Frost.\u00a0 At the 2:40 mark the pace resumed its frenetic pace and PO and RB traded guitar solos for 15\u00a0seconds.
\u00a0<\/p>\n

<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
17. A Skull Full of Maggots (Eaten Back to Life, 1990).\u00a0 Before A Skull Full of Maggots GF said, \u201cIf anybody out there knows the middle part to this song, then you need to be screaming Maggoooooooots!\u00a0 A Skull Full of Maggots.\u201d\u00a0 A Skull Full of Maggots began amidst the flurry of PO and RB\u2019s rapid, choppy riffs and PM\u2019s snare and bass drums.\u00a0 GF rapidly sang the first verse while the second verse was preceded by GF\u2019s chant of, \u201cBeahhhhhhhh …\u00a0 Beah \u2026 Beahhhhhhhh …\u00a0Beahhhhhhhh\u201d \u00a0[GF sounded like he was vomiting something vile.]\u00a0 GF sang the second verse interspersed with the audience\u2019s repeated chant of \u201cmaggots,\u201d \u201cThey enter your tomb\u00a0\u2026 maggots \u2026 Beginning to feast\u00a0\u2026 maggots \u2026 Crawling on you\u00a0\u2026 maggots \u2026 Now they eat you\u00a0\u2026maggots\u00a0\u2026 Rotting maggots\u00a0\u2026 Infesting your corpse \u2026\u00a0maggots\u00a0\u2026 Parasites of the dead\u00a0\u2026 maggots \u2026 Now dwell in your head.\u201d\u00a0 From the 1:40 to 1:45 marks the tempo significantly slowed down to the point the song stopped for a nanosecond.\u00a0 The tempo then escalated while GF rapidly sang the third and fourth verses in 20\u00a0seconds without pause between verses. \u00a0At the end of the song GF told the crowd, \u201cGood job.\u201d<\/p>\n

<\/p>\n

18. Hammer Smashed Face (Tomb of the Mutilated,\u00a01992).\u00a0 Before Hammer Smashed Face GF said, \u201cUnfortunately this is the last song of the night.\u00a0 (triggering boos from audience)\u00a0 Listen, no way we could stand up here and play all night.\u00a0 Well\u00a0we could, but we won\u2019t.\u00a0 This is for all you out there.\u00a0 Thank you for supporting death metal.\u00a0 All you over there (stage left near bar) and over there (balcony) put your drinks down and get in the pit!\u201d\u00a0 Hammer Smashed Face \u00a0featured PO and RB\u2019s driving frenetic riffs and PM\u2019s abused snare drums.\u00a0 From the 0:20 to 0:25 marks AW played dizzying, prominent bass lines right before GF sang the first verse.\u00a0 GF sang at a particularly slow tempo in comparison to PO and RB\u2019s up tempo, descending chord progressions featuring a trill.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GF picked up the pace during the second, third, and fourth verses but continued to sing in a low octave.\u00a0 The third verse has particularly interesting lyrics, \u201cEyes bulging from their sockets.\u00a0 With every swing of my mallet.\u00a0 I smash your fucking head in, until brains seep in.\u00a0 Through the cracks, blood does leak.\u00a0 Distorted beauty, catastrophe.\u00a0 Steaming slop, splattered all over me.\u201d\u00a0 From the 2:10 to 2:40 marks the tempo slowed down while GF growled, \u201cCrushing, cranial, contents.\u201d\u00a0 The tempo then escalated while GF sang the fifth verse only to then briefly slow down while GF growled, \u201cSuffer, and then you die.\u00a0 Torture, pulverized.\u201d\u00a0 The tempo resumed an up tempo pace to the end.\u00a0 Hammer Smashed Face was arguably the most ferocious song the band performed.<\/p>\n

<\/p>\n

19. Stripped, Raped and Strangled (The Bleeding, 1994).\u00a0 The band briefly paused after Hammer Smashed Face during which GF growled, \u201cStripped, Raped and Strangled.\u201d\u00a0 Stripped, Raped and Strangled began with PO and RB\u2019s slow tempo riffs, PM\u2019s snare drums, and AW\u2019s use of both hands to pick notes on his bass fretboard.\u00a0 GF sang the first half of the first verse at mid tempo ending with the phrase, \u201cShe was so beautiful.\u00a0 I had to kill her.\u201d\u00a0 During the second half of the first verse and the first chorus the tempo significantly escalated, PO and RB played frenetic riffs, PM bashed his snare and bass drums, and the audience chanted along. \u00a0When GF sang the second verse the tempo resumed its initial pace. \u00a0The tempo significantly escalated during the second chorus but resumed its initial tempo during the third verse onward.\u00a0 The band members individually raised their hand(s) to thank the crowd and GF said, \u201cYou guys rule.\u201d\u00a0 The band left the stage and did not return for an encore. <\/p>\n

<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Venue: Slim\u2019s is a 400\u2011seat San Francisco club that rhythm and blues artist Boz\u00a0Scaggs opened in 1988.\u00a0 Slim\u2019s is located within three miles of San\u00a0Francisco\u2019s financial district.\u00a0 The club decor is simple and includes chandeliers, brick walls, and a bar inspired by the facades of New Orleans manors.<\/p>\n

Within five feet of walking through the entrance are six steps that lead immediately up and into the general admission floor approximately 20\u00a0feet from the stage.\u00a0 At one end of the main floor is the stage that measures 29\u00a0feet wide by 16\u00a0feet deep.\u00a0 The stage is three feet and three inches from the club floor and features a moveable drum riser eight\u00a0feet by six\u00a0feet and a very narrow photo pit.\u00a0\u00a0<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 At the other end of the main floor is a small balcony with 14\u00a0tables and seating for 70\u00a0people.\u00a0 The sound console is located in the rear by the steps leading up to the balcony.\u00a0 The L\u2011shaped bar runs the length of the floor stage left.\u00a0 The general admission floor also includes six pillars.\u00a0 Located downstairs are three dressing rooms, coat check, and additional restrooms.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Opening Band (first to last): Lecherous Nocturne, Skeletonwitch, 1349.<\/p>\n



<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Arash Moussavian, Entertainment Law Attorney<\/p>\n

arashmoussavian@cal.berkeley.edu<\/a><\/p>\n

www.linkedin.com\/in\/arashmoussavian<\/a><\/p>\n

All photos taken by Arash Moussavian.\u00a0 This article and all photos are protected by copyright.\u00a0 Please contact me prior to use, or I will make shish kabab of your loins.\u00a0<\/p>\n

\u00a0<\/p>\n

Set List<\/p>\n

\u00a0<\/p>\n

Song\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Album Title\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Release Year<\/p>\n

\u00a0<\/p>\n

1. Scalding Hail \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Evisceration Plague\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009<\/p>\n

2. Unleashing the Bloodthirsty \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bloodthirst\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1999<\/p>\n

3. Murder Worship\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Kill\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02006<\/p>\n

4. Sentenced to Burn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Gallery of Suicide\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1998<\/p>\n

5. Savage Butchery\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Gore Obsessed \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2002<\/p>\n

6. The Cryptic Stench\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Tomb of the Mutilated\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1992<\/p>\n

7. Pounded Into Dust\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Bloodthirst\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1999<\/p>\n

8. The Wretched Spawn \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Wretched Spawn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02004<\/p>\n

9. Gutted \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Butchered at Birth\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1991<\/p>\n

10. Evisceration Plague \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Evisceration Plague\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009<\/p>\n

11. Disfigured\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vile\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1996<\/p>\n

12. Scattered Remains, Splattered Brains\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Eaten Back to Life\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a01990<\/p>\n

13. Make Them Suffer \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kill\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02006<\/p>\n

14. Priests of Sodom\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Evisceration Plague\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009<\/p>\n

15. Staring Through the Eyes of the Dead \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Bleeding\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a01994<\/p>\n

16. Devoured by Vermin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vile\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1996<\/p>\n

17. A Skull Full of Maggots \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eaten Back to Life\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a01990<\/p>\n

18. Hammer Smashed Face\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tomb of the Mutilated\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1992<\/p>\n

19. Stripped, Raped and Strangled\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0The Bleeding\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a01994<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Concert Review: Cannibal Corpse, Slim\u2019s, San Francisco, CA, 05-05-10 (Wednesday) \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 On Wednesday,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[27],"tags":[],"class_list":["post-350","post","type-post","status-publish","format-standard","hentry","category-live-in-greece"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=350"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/350\/revisions"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}