{"id":3125,"date":"2013-05-14T17:03:22","date_gmt":"2013-05-14T17:03:22","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2013\/05\/14\/concert-review-ufo-san-francisco-ca-the-independent-11-01-09-sunday\/"},"modified":"2013-05-14T17:03:22","modified_gmt":"2013-05-14T17:03:22","slug":"concert-review-ufo-san-francisco-ca-the-independent-11-01-09-sunday","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2013\/05\/14\/concert-review-ufo-san-francisco-ca-the-independent-11-01-09-sunday\/","title":{"rendered":"Concert Review: UFO, San Francisco, CA, The Independent, 11-01-09 (Sunday)"},"content":{"rendered":"


On November 1, 2009, UFO landed at the cesspool known as The Independent (\u201cTI\u201d), a grungy club in a fairly scruffy neighborhood.\u00a0 This marks the second consecutive concert UFO has played at TI, the last time also being on a Sunday, July 25, 2005.\u00a0 TI is a 375 seat club built approximately 50 years ago that previously operated under names such as The Kennel Club and Viz.\u00a0 As you walk through the entrance and go through a narrow hallway you immediately end up on the general admission floor approximately 10 feet stage left.\u00a0 The stage measures approximately 30 feet across and only four feet high with no photo pit.\u00a0 The bar is located opposite the stage.\u00a0 TI has a second floor that includes quasi box seat sections stage right (eight- to 10 seat capacity) and stage left (three- to four seat capacity), as well as a mixing console across the stage.\u00a0 [The box seats are not as grandiose as the ones located in a traditional theater and more resemble wooden structures perched atop a tree house.\u00a0 The venue size gives TI more of a square than a rectangular shape, making it ideal for (1) a cock fight contest or (2) the chap toting, beer swigging redneck brigade to raise a raucous line dancing.\u00a0 For these reasons, and the shady neighborhood, if UFO was really an alien ship, I am hard pressed to believe it would have taken a gander at this venue, much less went inside.]\u00a0 However, the intimate venue size, low raised stage, and lack of photo pit afford an opportunity to get close to performers.\u00a0 For this reason, I have not passed up opportunities to see acts such as Yngwie Malmsteen, Blackmore\u2019s Night, Testament, and Y&T at TI.

UFO was supported by the Travis Larson Band, a Southern California based fusion rock band that played a 45-minute instrumental set from 8:15 to 9:00.\u00a0
UFO played 16 songs.\u00a0 Rather than act as a brace laden, pigtailed teenage girl who is a tease only flashing her developing goods to a hormone enraged boy (i.e., analogous to you the readers), I will enumerate all the songs UFO performed in lieu of a select group.

1. Saving Me (The Visitor record, 2009).\u00a0 The show started out with background music that was the introduction to the first song off UFO\u2019s new (and 20th) studio record released in June 2009.\u00a0 I give credit to UFO for having the courage to start a show not only with a new song, one that most fans are not familiar with, but also one that is mid tempo with an acoustic introduction that Vinnie Moore (\u201cVM\u201d) played on a guitar propped on a stand a la \u201cBeyond the Realms of Death\u201d by the mighty Judas Priest.\u00a0 [I would have preferred if the show started with a song powerful enough to sheer the skin off my face or, at the very least, pummel my brain to the point where I can only speak in monosyllables.]\u00a0 This song is very bluesy with a strong guitar riff, solid drum beat, and an acoustic guitar solo.\u00a0\u00a0 At the end of the song, Phil Mogg (\u201cPM\u201d) pulled a note out of his pocket and extended \u201cHappy Birthday to Bob.\u201d\u00a0 [Two questions popped in my head.\u00a0 First, why on earth would PM need to keep a note to remember a name as simple and short as Bob.\u00a0 The only simpler name I can think of is Ed.\u00a0 Second, what would be the most efficient and clandestine means for me to hunt down Bob and shove my combat boot up his butt for interrupting the momentum so early in the gig.]

2. Daylight Goes to Town (You Are Here, 2004) features soulful vocal performance by PM.\u00a0 PM wore black jean pants, black jean jacket, black tank top, and black boots that he laced up above him cuffs.\u00a0 [PM was the rock version of Johnny Cash, only much leaner and fit, surprising given the amount of beer he consumed (see below).]

3. Mother Mary (Force It, 1975) featured fiery guitar riffs and runs, as well as a great guitar solo.\u00a0 VM wore black jean pants (with a chain extending from his belt loop to his back pocket), black and grey t shirt with a glitter skull emblem atop a cross, and black sneakers.\u00a0 PM repeatedly held up the mike stand throughout this song.\u00a0 PM continued this tradition throughout the show.\u00a0 [I was inclined to suggest a workout regimen to PM, placing circular weights at the stand base to make a makeshift dumbbell.]

4. Let It Roll (Force It, 1975) featured great guitar feedback that would have made Ritchie Blackmore proud.\u00a0 Andy Parker (\u201cAP\u201d), UFO\u2019s original drummer, resumed his duties with vigor at the skins pounding a coffee colored Tama drum set with double bass drums like a madman.\u00a0 The song featured a fast pounding drum beat.\u00a0 AP\u2019s act of snarling and grinding his teeth as he pummeled the life out of his drums was priceless.\u00a0 [I was waiting for AP to lift a bass drum atop his head and shout, \u201cHulk angry!\u201d\u00a0 Then effortlessly crush the bass drum like an aluminum can.]\u00a0 AP wore a black muscle t shirt, fitting for his large John Bohnamseque frame.\u00a0 At the end of this song, PM made a witty comment, something that became the norm during the show.\u00a0 Sadly, given PM\u2019s thick British accent, I could not understand most of what he was saying, something about it \u201cbeing hard to get to the East End.\u201d\u00a0 [I looked at VM and he had the same blank expression on his face.\u00a0 Now if VM does not understand what PM was saying after a six year tenure in the band, I gather I am not retarded, at least not in the clinical sense.]

5. I\u2019m A Loser (No Heavy Petting, 1976) features a slow introduction and then progresses to an upbeat tempo.\u00a0 This song has a groovy, punchy bass line faithfully delivered by Rob De Luca (\u201cRDL\u201d).\u00a0 RDL, a New Yorker, formerly of Sebastian Bach\u2019s band, filled in for the ill Pete Way.\u00a0 RDL wore a black muscle t shirt, brown boots, and vintage vertical striped (grey, red, and blue) slacks.\u00a0 [RDL told me post show his slacks were inspired by the Pete Way school of fashion.]\u00a0 Paul Raymond (\u201cPR\u201d) played his Korg and Roland keyboards.\u00a0 At the end of the song PM told another incoherent joke.\u00a0 [I felt as if I was watching the opening monologue of a re run episode of the classic 1970s British comedy show, \u201cBenny Hill.\u201d]\u00a0

6. Hell Driver (The Visitor, 2009) was the second new song UFO performed, a song with a groovy riff, memorable solo, heavy drums, and prominent use of a cowbell.\u00a0 This song received the most rabid response, making it the ideal choice for the set opener.\u00a0 At the end of the song PM consumed one of many beers for the night and proclaimed, \u201cIt is all for effect.\u201d\u00a0 [However, PM\u2019s gusto for, and quantity of, beer consumption reflected it was more for the love of beer, qualifying PM for candidacy in Alcoholics Anonymous.]
7. Cherry (Obsession, \u00a0\u00a0\u00a0 1978) is a crushing number that meandered between slow fast slow fast tempos.\u00a0 It reminded me of classic songs by The Who.\u00a0 At the end of the song PM said there is \u201chumor in the last line [of the song].\u201d\u00a0 [Sadly, the humor of the joke was lost on me.\u00a0 I looked at VM and his expression echoed the same sentiment.\u00a0 PM looked at VM while telling the joke and VM forcibly nodded while PM was mid sentence as if to say, \u201cGet on with it already.\u00a0 I am on an adrenaline high and do not want to hear a standup routine.\u201d]

8. Only You Can Rock Me (Obsession, 1978) features prominent keyboard by PR, making it a poppier song but still with a strong drum beat.\u00a0 PR wore black jean pants, a short sleeve button up black shirt, black satin vest with a burgundy floral pattern, and black sneakers.\u00a0 PR is a talented guitarist and keyboardist.\u00a0 His laid back lackadaisical stage persona is in sharp contrast to his band mates.\u00a0 [But then again, so was that of John Entwistle in comparison to the over the top antics of Roger Daltrey, Keith Moon, and Pete Townshend of The Who.]

9. Ain\u2019t No Baby (Obsession, 1978) features an effective, plodding bass line.\u00a0 During this song, and many others, PM took two to three steps left and right with conviction and a slight bob of the head.\u00a0\u00a0 [PM looked as if he was sparring or getting ready for a boxing match.\u00a0 He would also come up toward stage front, but back away just before he got close enough for the fans to reach him.]

10. Love to Love (Lights Out, 1977) featured PR on keyboards.\u00a0 Although a slower song, it featured heavy drums and a heavy bass line.\u00a0 VM switched between his electric and acoustic guitars (the latter on a stand).\u00a0 This song was played in extended form and featured a great VM guitar solo.\u00a0 VM used Dean Guitars and Engl Amplification.\u00a0 At the end of the song PM reached in his pocket and pulled out some currency.\u00a0 [I thought he was going to tip the crowd for their enthusiasm, but PM had other plans that came to light after the next song.]

11. Mystery Train (Junior Parker\/Sam Phillips cover, 1953) is a cover song from nearly 60 years ago with a very strong blues feel and clap along introduction.\u00a0 PM sang this song in a very low octave, so much so that the veins in his left temple were prominently exposed.\u00a0 [The veins were so apparent that PM looked like one of the victims in the 1981 horror film \u201cScanners\u201d with the unfortunate fate of having his mind controlled by the scanner alien beings bearing great psychic power.\u00a0 I was waiting for PM\u2019s temple to profusely bleed and eventually explode.\u00a0 Maybe that is why PM drank so much beer, to numb his brain to the point that it did not explode, something that may also work for me when my brain begins to feel warm, like a poached egg after continued, excessive head banging.]\u00a0 The song also featured harmonica.\u00a0 At first I was puzzled as I did not see any band mate toting a harmonica.\u00a0 But I looked up and saw PR synthesizing this effect on his keyboard.\u00a0 [It would have been more authentic to see PM pull out a harmonica out of his pocket.]\u00a0 At the end of this song a waitress toting a small plate with a beer walked right next to me front row and handed PM another beer.\u00a0 PM approached her with the currency he had earlier taken out and the waitress begrudgingly accepted the money.\u00a0
<\/p>\n


12. Too Hot to Handle (Lights Out, 1977) features a great chorus and was one of the top three songs of the night.\u00a0 During the solo VM and RDL each lifted and positioned their axes behind their heads and then approached each other, standing within a few feet of each other while jamming.\u00a0 After about 30 seconds of dueling axes, VM took it a step further and began to pluck his guitar strings with his teeth.\u00a0 [Jimi Hendrix would have been proud.\u00a0 I wonder if VM\u2019s band mates ever tease him by offering him a high E-string in lieu of dental floss once he gets in his jammies.]\u00a0 Positioned atop the monitor within a few feet of AP\u2019s left shoulder was a colorful toy figurine measuring approximately three inches holding a guitar and gyrating his hips left and right like Elvis Presley in response to the sound reverberating through the small club.\u00a0 A very fitting addition to the band\u2019s tongue in cheek humor.\u00a0 [Given AP\u2019s husky frame, he looked like King Kong next to the figurine.\u00a0 AP\u2019s menacing snarl, teeth grinding, and head shaking made it seem as if, at any moment, he would snatch the figurine and engulf it in one bite like a gummy bear.]\u00a0 At the end of the song PM pontificated, \u201cSince this is the last gig [before UFO resumes the tour in Europe in mid November], I asked the band their thoughts on playing in a band.\u00a0 As it turns out, they all think different things.\u201d\u00a0 [One of the readers out there please e mail me the point PM tried to make.\u00a0 I felt like I was listening to Confucius.\u00a0 PM\u2019s eternal wisdom was far beyond what my miniscule brain could handle.\u00a0 I am still grappling and contemplating the difficult question of the true shape of my fuzzy navel.]\u00a0

13. Lights Out (Lights Out, 1977) was likely the most memorable song of the night.\u00a0 As I was head banging to the rollicking guitar, bass, and drums, the music felt like a hurricane gaining force and momentum about to peel the ceiling off the club and my face.\u00a0 [A cautionary note to young head bangers front row near a low raised stage: be wary and cognizant of the location of stage monitors.\u00a0 I have driven my forehead into monitors while head banging due to my lack of coordination and appreciation for the laws of physics, acting like an inept martial artist feebly attempting to split the monitor as if it is a pine board.]\u00a0 Lights Out began with an up tempo beat and a slower mid section, providing definition and depth.\u00a0

14. Rock Bottom (Phenomenon, 1974) featured an extended five\u00a0 to six minute guitar solo during which PM stepped off stage.\u00a0 [I gather PM had enough time to make a quick beer run to the liquor store located across the street.]\u00a0 PM reappeared on stage following VM\u2019s solo concluding what turned out to be a 12 minute epic that left me physically drained akin to a quickie nookie session.\u00a0 Rock Bottom, Too Hot to Handle, and Lights Out were the top three songs.
The band left the stage at 11:10 and returned in two minutes to play the first of two encores.

15. Shoot Shoot (Force It, 1975) features heavy drums, a great guitar riff, and an extended solo break.
The band left the stage a second time at 11:21 and returned in two minutes to play the second encore.

16. Doctor Doctor (Phenomenon, 1974) was the final song, a strong number, but not as memorable as the preceding three songs.\u00a0
Two flashback memories are worthy of mention.\u00a0 The first involves seeing Dio at the Cow Palace in San Francisco during the Sacred Heart tour (12-08-85).\u00a0 During that show I recall looking around the nearly sold out 18,000 seat arena at the sea of fans of all ages, those dating back to Ronnie James Dio\u2019s Elf and Rainbow days, as well as newer fans that revered his work with Black Sabbath and his solo band.\u00a0 The wide age spectrum reflected a healthy fan base, ensuring Dio\u2019s commercial and artistic success for many years to come and laying the basis for him to continue to play large arenas through the late 1980s.\u00a0 Sadly, the same could not be said for UFO because the Old Fart Test failed.\u00a0 The Old Fart Test is simple to apply.\u00a0 When the white stage lights shine on the crowd you simply look back at the audience at the quantity of prescription spectacles sparkling and reflecting light.\u00a0 If you observe a large quantity of reflections, it means the audience contains a lot of older fans (i.e., old farts).\u00a0 This was the case at the UFO show.\u00a0 Do not get me wrong.\u00a0 It is ok to have a large contingent of older fans because they tend to be the diehard fans able and willing to sing and play air guitar to each and every song in the band\u2019s catalog.\u00a0 However, when the audience has a limited number of younger fans, like at the UFO show, it is cause for concern.\u00a0 A band such as UFO will continue to have its core of diehard fans in their thirties and above who worship UFO for significant, immeasurable impact on the development of the heavy metal genre.\u00a0 However, judging from the San Francisco show, UFO may have difficulty drawing younger fans, at least in the Bay Area, stymieing its efforts to play to larger crowds, sell greater quantities of records, and, in turn, attain the commercial success UFO rightfully deserves.\u00a0\u00a0\u00a0
The second flashback memory I had was to seeing (Ritchie) Blackmore\u2019s Night play at TI (02 01 05).\u00a0 In contrast to the loud raucous show UFO put on, Blackmore was more intent on decorum and keeping sound at a minimum.\u00a0 On a few occasions I observed from front row Blackmore looking above his head at the air conditioning (\u201cA\/C\u201d) unit hanging above the stage approximately 10 feet from his head.\u00a0 Blackmore seemed distracted as if he was being pestered by tsetse flies hovering overhead.\u00a0 Then, Blackmore abruptly put down his acoustic guitar mid song and casually walked off stage.\u00a0 A venue staff member came on stage and made an announcement that the A\/C unit was making excessive noise and distracting Mr. Blackmore.\u00a0 This coming from a guitar legend who, as a member of Deep Purple and Rainbow, used to play in front of a wall of Marshall amplifiers high enough to require a ladder and oxygen mask for his stage hands to scale their lofty heights.\u00a0 The house crew worked diligently to shut off the A\/C.\u00a0 When Ritchie came back on stage I was saddened I was not wearing my Kiss Lick It Up tour t shirt (1983) so I could proudly display the bold and poignant message it bears, one I will preach to the day I gingerly cart my IV ridden, hobbled, shriveled frame to my grave in a rusted, squeaky wheelchair, \u201cIf It\u2019s Too Loud, You\u2019re Too Old.\u201d
Arash Moussavian, Entertainment Law Attorney
arashmoussavian@cal.berkeley.edu
www.linkedin.com\/in\/arashmoussavian
All photos taken by Arash Moussavian.\u00a0 This article and all photos are protected by copyright.\u00a0 Please contact me prior to use, or I will make shish kabab of your loins.\u00a0 <\/p>\n

<\/p>\n


<\/strong><\/p>\n

Set List<\/strong><\/p>\n

Song\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Album Title\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Release Year<\/strong><\/p>\n

1. Saving Me \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 The Visitor\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 2009
2. Daylight Goes to Town\u00a0 You Are Here\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 2004\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0
3. Mother Mary \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Force It\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1975
4. Let It Roll \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0\u00a0 Force It\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1975
5. I\u2019m A Loser \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No Heavy Petting\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 1976
6. Hell Driver \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Visitor\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 2009
7. Cherry \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Obsession\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 1978\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0
8. Only You Can Rock Me\u00a0\u00a0 Obsession\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1978
9. Ain\u2019t No Baby \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Obsession\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1978
10. Love to Love \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Lights Out\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 1977
11. Mystery Train \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Junior Parker
(Sam Phillips cover)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1953
12. Too Hot to Handle \u00a0\u00a0 Lights Out\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1977
13. Lights Out \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Lights Out\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1977
14. Rock Bottom \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0 Phenomenon\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 1974\u00a0\u00a0\u00a0 <\/p>\n

(Encores)<\/p>\n

15. Shoot Shoot \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Force It\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1975<\/p>\n

<\/p>\n

16. Doctor Doctor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Phenomenon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 1974<\/p>\n

\u00a0<\/p>\n

<\/p>\n

<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

On November 1, 2009, UFO landed at the cesspool known as The Independent (\u201cTI\u201d), a…<\/p>\n","protected":false},"author":1,"featured_media":3106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[27],"tags":[],"class_list":["post-3125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-in-greece"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/3125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=3125"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/3125\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/3106"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=3125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=3125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=3125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}