{"id":3006,"date":"2013-05-01T19:31:09","date_gmt":"2013-05-01T19:31:09","guid":{"rendered":"http:\/\/skylight.gr\/administrator_wordpress\/index.php\/2013\/05\/01\/concert-review-kreator-san-francisco-ca-slims-03-21-10-sunday\/"},"modified":"2013-05-01T19:31:09","modified_gmt":"2013-05-01T19:31:09","slug":"concert-review-kreator-san-francisco-ca-slims-03-21-10-sunday","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2013\/05\/01\/concert-review-kreator-san-francisco-ca-slims-03-21-10-sunday\/","title":{"rendered":"Concert Review: Kreator, San Francisco, CA, Slim\u2019s, 03-21-10 (Sunday)"},"content":{"rendered":"


On Sunday, March 21, 2010, Kreator performed at Slim\u2019s, a 400\u2011seat club in San Francisco.\u00a0 In contrast to my other reviews that contained off\u2011the\u2011cuff lighthearted commentary, I found it inappropriate for this review.\u00a0 Kreator is a no frills thrash band that gets on stage and decimates everyone and everything in its path, making it asinine for me to venture in that realm, somewhat like belching at the loudest decibel while eating at a fancy French restaurant.\u00a0 Kreator played 17 songs during an 85\u2011minute set from 10:45 to 12:10.<\/p>\n

1. Choir of the Damned (Intro.) (Pleasure to Kill record, 1986) is an instrumental song that clocks in at one minute and 40 seconds.\u00a0 This song, which features atmospheric keyboards and acoustic guitars, served as a good introduction because it has an ominous tone.

2. The Pestilence (Pleasure to Kill, 1986) is a frenetic thrash song.\u00a0 Midway into the song, Miland \u201cMille\u201d Petrozza (vocalist\/guitarist, \u201cMP\u201d) commanded the crowd, \u201cSan Francisco, mosh pit!\u201d\u00a0 MP wore an off\u2011black muscle shirt with a spiral cloud image on his chest and black cargo cotton slacks.\u00a0 MP then went stage right by Christian \u201cSpeesy\u201d Giesler (bassist, \u201cCG\u201d).\u00a0 MP and CG began banging their heads in unison, prompting many of the audience members to follow suit.\u00a0 J\u00fcrgen \u201cVentor\u201d Reil\u2019s (\u201cJR\u2019s\u201d) loud double bass drumming was in the forefront and served as a pummeling force leading the song straight through the gates of hell.\u00a0 The guitar riffs at the 3:30 mark paid homage to Slayer\u2019s Crionics off the Show No Mercy record (1983).

3. Hordes of Chaos (A Necrologue for the Elite) (Hordes of Chaos,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009).\u00a0 Before Hordes of Chaos (A Necrologue for the Elite), MP said, \u201cGood evening San Francisco.\u201d\u00a0 Hordes of Chaos (A Necrologue for the Elite) is mid tempo for approximately 50 seconds and then shifts to a fast tempo.\u00a0 The song features a catchy chorus during which many of the audience members stage front in the near sold out club bobbed their heads.\u00a0 When MP shouted \u201cChaos!\u201d the frenzy in the mosh pit further escalated.\u00a0 At approximately the 3:00 mark the song reverted back to mid tempo after which it resumed its fast pace.\u00a0 As MP chanted the chorus line, \u201cEveryone against everyone!\u201d he raised both his fists in the air while CG kneeled his head forward and rolled it in a clockwise fashion a la George \u201cCorpsegrinder\u201d Fisher (Cannibal Corpse vocalist).\u00a0 CG wore black jean pants and a short\u2011sleeve button down black shirt with a \u201cKreator\u201d red logo and demon character on the back and a \u201cKreator\u201d red logo on the left chest.\u00a0 CG played a black Mensinger flying V bass.\u00a0 At the end of the song MP raised his black flying V Jackson guitar with a white trim.

4. Phobia (Outcast, 1997) features a slightly slower tempo than Hordes of Chaos (A Necrologue for the Elite).\u00a0 MP sang the chorus in an ominous tone, drawing out the final vowel in the word, \u201cPhobiaaaaa!\u201d\u00a0 Following Sami Yli-Sirni\u00f6\u2019s (\u201cSY\u2019s\u201d) guitar solo, MP chanted, \u201cIs there someone following you?\u201d which the audience chanted back.\u00a0 SY wore a long\u2011sleeve black cotton shirt, black jean pants, and black combat boots.\u00a0 SY played a black Schecter guitar diamond series with a light tan trim.

5. Enemy of God (Enemy of God, 2005).\u00a0 Before Enemy of God MP said, \u201cGood evening San Francisco.\u00a0 The Kreator has returned.\u00a0 It is good to see such a gathering of enemies of god.\u201d\u00a0 This is a fast tempo song featuring rollicking drums by J\u00fcrgen \u201cVentor\u201d Reil (\u201cJR\u201d) during the chorus.\u00a0 JR wore a black muscle shirt and black shorts with a red \u201cKreator\u201d logo printed vertically on the left leg.\u00a0 JR played a black Yamaha drum set featuring double bass drums and Sabian cymbals.\u00a0 Raised from the ceiling a few feet behind JR\u2019s drum kit was a tarp featuring the Hordes of Chaos album cover artwork.\u00a0 The song features a catchy guitar chord progression at approximately the 1:20 mark.\u00a0 During the mid\u2011section of the song the band prompted the audience to chant \u201cHay!\u201d

6. Impossible Brutality (Enemy of God, 2005).\u00a0 During the first verse, MP spouted, \u201cAll I see is terror.\u00a0 All I see is pain.\u00a0 All I see is mothers dragging children to their graves.\u201d\u00a0 At approximately the 1:50 mark CG\u2019s bass lines came to the forefront driving the song to, where else, the grave.

7. Endless Pain (Endless Pain, 1985).\u00a0 Before Endless Pain MP said, \u201cThank you very much San Francisco.\u00a0 This is the 25\u2011year anniversary for Kreator.\u00a0 I guess we are f**kin\u2019 dinosaurs.\u00a0 So let\u2019s play something old school.\u201d\u00a0\u00a0 MP dedicated Endless Pain to a girl in the audience whom, MP said, \u201cGary Holt (Exodus guitarist) thinks is beautiful.\u201d\u00a0 Endless Pain is a very fast tempo song off Kreator\u2019s first record.\u00a0 Halfway into the song, MP commanded the crowd, \u201cSan Francisco, mosh pit!\u201d\u00a0 The crowd responded with a pit filled with what appeared to be whirling dervishes.

8. Pleasure to Kill (Pleasure to Kill, 1986).\u00a0 Before \u201cPleasure to Kill\u201d MP asked the audience, \u201cSan Francisco are you ready to kill?!\u201d\u00a0 At approximately the 1:30 mark SY played a searing guitar solo during which MP, CG, and SY all stood stage right amidst red stage lights that created an apropos evil atmosphere.\u00a0 From approximately the 2:00 to 3:10 marks the song slowed to an ominous mid tempo.<\/p>\n

9. Terrible Certainty (Terrible Certainty, 1987).\u00a0 Before Terrible Certainty MP said, \u201cI want to see this place turn into one large mosh pit from left to right and from front to back.\u201d\u00a0 This song features a catchy bass line.<\/p>\n

10. Extreme Aggression (Extreme Aggression, 1989).\u00a0 Before Extreme Aggression MP said, \u201cSan Francisco I want to hear you, kill everyone!\u201d\u00a0 Extreme Aggression features a wicked mid tempo riff at the outset.\u00a0 At approximately the 0:30 mark the song shifts to a frenetic tempo.

11. Coma of Souls (Coma of Souls, 1990).\u00a0 Before Coma of Souls MP said, \u201cFor this next song I want to see this place turn into the biggest f**kin\u2019 mosh pit you have ever seen!\u201d\u00a0 As its predecessor, Coma of Souls features a catchy riff at the outset reminiscent of early Slayer.<\/p>\n

12. Amok Run\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Hordes of Chaos, 2009) is a ballad that began with a light SY guitar melody.\u00a0 At approximately the 0:55 mark, CG and JR joined in to add power and aggression to MP\u2019s brooding vocals.\u00a0 At approximately the 1:25 mark SY\u2019s guitar licks became progressively quicker, and with an Iron Maidenesque quality, transformed the song to a pure fast tempo thrash song.\u00a0 MP eventually chanted the chorus, \u201cRun amok run\u201d as if he was passionately trying to motivate his troops to march into a blood\u2011soaked battlefield.

13. The Patriarch (Violent Revolution, 2001) is a 52\u2011second instrumental featuring a soulful mid\u2011tempo guitar melody that led straight into Violent Revolution.<\/p>\n

14. Violent Revolution (Violent Revolution, 2001) features a chugging riff that drives the song with conviction.\u00a0 The song features a catchy chorus.\u00a0 After the guitar solo MP urged the crowd to chant \u201cHay!\u201d\u00a0 At the end of the song MP rested his Jackson flying V on his extended arm and pointed the headstock at the audience as he moved from left to right aiming the headstock at the crowd.

15. Demon Prince (Hordes of Chaos, 2009).\u00a0 Before Demon Prince MP said, \u201cOkay San Francisco I want to see one more mosh pit for this final song.\u201d\u00a0 Demon Prince features brilliant dual MP and SY guitar melodies at the outset.\u00a0 At approximately the 0:45 mark the song shifts to a fast tempo.\u00a0 From approximately the 2:50 to 3:40 marks the song shifts to mid tempo before resuming the frenetic pace before SY\u2019s guitar solo.<\/p>\n

The band left the stage at 11:56 and returned in less than one minute to play three additional songs.

16. When the Sun Burns Red (Coma of Souls, 1990) begins with SY\u2019s light guitar introduction.\u00a0 At approximately the 0:55 mark MP, CG, and JR join in and, with MP\u2019s hellish chant of \u201cAaahhhh\u201d reminiscent of Tom Araya\u2019s (Slayer bassist\/vocalist) chant at the beginning of Angel of Death off Slayer\u2019s Reign in Blood record (1986), the song shifts to a fast tempo.\u00a0 This song features a catchy chorus during which MP sang, \u201cWhen the sun burns red.\u00a0 The earth will turn from blue to gray.\u201d

17. Flag of Hate (Endless Pain, 1985).\u00a0 Before Flag of Hate MP gave his farewell and longest speech lasting approximately 90 seconds.\u00a0 MP said, \u201cThank you very much San Francisco.\u00a0 Thank you for coming on a Sunday night.\u00a0 I am not just saying this when I say San Francisco has always been one of Kreator\u2019s favorite places to play.\u00a0 Let\u2019s play something old school.\u201d\u00a0 MP then raised both hands in front of him and with his finger\u2019s slightly bent as if clenching a football, he shouted, \u201cIt\u2019s time to raise . . .\u201d\u00a0 The audience shouted back, \u201c. . . the flag of hate.\u201d\u00a0 While still holding his arms outward, MP said, \u201cI know you can do better than that.\u00a0 This is not the middle of nowhere.\u00a0 This is San Francisco.\u00a0 This is the home of Exodus.\u00a0 This is the home of D.R.I.\u00a0 This is the home of at least 10 other bands.\u00a0\u00a0 It\u2019s time to raise . . .\u201d\u00a0 The audience shouted back at a higher decibel, \u201c. . . the flag of hate.\u201d\u00a0 MP then shouted a third time, \u201cIt\u2019s time to raise . . .\u201d\u00a0 The audience shouted back, \u201c. . . the flag of hate.\u201d<\/p>\n

The band performed Flag of Hate, a blistering song that literally sheered the skin off my face.\u00a0 At the end of Flag of Hate MP shouted, \u201cTormentor!\u201d signaling the shift straight into the final song, Tormentor.

18. Tormentor (Endless Pain, 1985) is another brutal song featuring frenetic double bass drums by JR and a chugging guitar riff.\u00a0 At the finale of the song, the band made prominent use of the white strobe lights positioned on the stage floor by the monitors.<\/p>\n

Venue: Slim\u2019s is a 400\u2011seat San Francisco club that rhythm and blues artist Boz Scaggs opened in 1988.\u00a0 Slim\u2019s is located within three miles of San Francisco\u2019s financial district.\u00a0 The club decor is simple and includes chandeliers, brick walls, and a bar inspired by the facades of New Orleans manors.<\/p>\n

Within five feet of walking through the entrance are six steps that lead immediately up and into the general admission floor approximately 20 feet from the stage.\u00a0 At one end of the main floor is the stage that measures 29 feet wide by 16 feet deep.\u00a0 The stage is three feet and three inches from the club floor and features a moveable drum riser eight feet by six feet and a very narrow photo pit.<\/p>\n

At the other end of the main floor is a small balcony with 14 tables and seating for 70 people.\u00a0 The sound console is located in the rear by the steps leading up to the balcony.\u00a0 The L\u2011shaped bar runs the length of the floor stage left.\u00a0 The general admission floor also includes six pillars.\u00a0 Located downstairs are three dressing rooms, coat check, and additional restrooms.<\/p>\n

Opening Bands (first to last): Lightning Swords of Death, Evile, Kataklysm.<\/p>\n

Arash Moussavian, Entertainment Law Attorney<\/p>\n

arashmoussavian@cal.berkeley.edu<\/p>\n

www.linkedin.com\/in\/arashmoussavian<\/p>\n

All photos taken by Arash Moussavian.\u00a0 This article and all photos are protected by copyright.\u00a0 Please contact me prior to use, or I will make shish kabab of your loins.<\/p>\n

Set List<\/p>\n

Song\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Album Title\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Release Year<\/p>\n

1. Choir of the Damned (Intro.)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pleasure to Kill\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1986<\/p>\n

2. The Pestilence\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pleasure to Kill\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1986<\/p>\n

3. Hordes of Chaos (A Necrologue for the Elite)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hordes of Chaos\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009<\/p>\n

4. Phobia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Outcast\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1997<\/p>\n

5. Enemy of God\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Enemy of God\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2005<\/p>\n

6. Impossible Brutality\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Enemy of God\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2005<\/p>\n

7. Endless Pain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Endless Pain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1985<\/p>\n

8. Pleasure to Kill\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pleasure to Kill\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1986<\/p>\n

9. Terrible Certainty\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Terrible Certainty\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1987<\/p>\n

10. Extreme Aggression\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Extreme Aggression\u00a0\u00a0 1989<\/p>\n

11. Coma of Souls\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coma of Souls\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1990<\/p>\n

12. Amok Run\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hordes of Chaos\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009<\/p>\n

13. The Patriarch\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Violent Revolution\u00a0\u00a0\u00a0\u00a0 2001<\/p>\n

14. Violent Revolution\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Violent Revolution\u00a0\u00a0\u00a0\u00a0 2001<\/p>\n

15. Demon Prince\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hordes of Chaos\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2009<\/p>\n

(Encores)<\/p>\n

16. When the Sun Burns Red\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coma of Souls\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1990<\/p>\n

17.\u00a0 Flag of Hate\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Endless Pain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1985<\/p>\n

18.\u00a0 Tormentor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Endless Pain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1985<\/p>\n","protected":false},"excerpt":{"rendered":"

On Sunday, March 21, 2010, Kreator performed at Slim\u2019s, a 400\u2011seat club in San Francisco.\u00a0…<\/p>\n","protected":false},"author":1,"featured_media":2992,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[27],"tags":[],"class_list":["post-3006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-in-greece"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/3006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=3006"}],"version-history":[{"count":0,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/3006\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/2992"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=3006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=3006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=3006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}