\n
\u201cThe substantial dependence on a limited number of online music stores, in particular the iTunes Store, for the online sale of music recordings, and the resultant significant influence that they can exert over the pricing structure for online music stores,\u201d created a growing risk to future profitability according to the report.<\/p>\n
The good news?<\/strong> Sales from recorded music were up 6.5% from the previous year and music publishing sales were up 2.1%.<\/p>\nHere’s the EMI press release<\/strong> putting a postive spin on the same numbers:<\/p>\nMALTBY CAPITAL LIMITED ANNOUNCES SIGNIFICANTI MPROVEMENT IN OPERATING PERFORMANCE AT EMI FOLLOWING A YEAR OF CREATIVE SUCCESS<\/strong><\/p>\n(London, 18 August 2010): Maltby Capital Ltd, the parent company of EMI, has today published EMI\u2019s annual review for the year ended March 31st 2010.<\/p>\n
Highlights<\/strong><\/p>\n\n- EBITDA before restructuring up 14% to \u00a3334 million (5.5% at constant currency) <\/li>\n
- Operating cashflow up 55% to \u00a3250 million <\/li>\n
- Revenues up to \u00a31.65 billion <\/li>\n
- Operating pre-tax profit* reaches \u00a3121 million (2009: \u00a37 million) <\/li>\n
- Both EMI Music and EMI Music Publishing contribute to improvement in operating performance <\/li>\n
- Net loss (after restructuring costs and fair value adjustments) reduced by two thirds to \u00a3512 million <\/li>\n<\/ul>\n
*after restructuring costs but before accounting impairment charges on goodwill and intangible assets <\/p>\n
The review shows a significantly improved financial performance for the business with both divisions contributing to gains in revenue and EBITDA despite the continuing challenges in both the music industry and the wider economy.<\/p>\n
The improved performance is the result of the significant restructuring of the business in the past two years combined with a number of notable commercial and creative successes. <\/p>\n
Stephen Alexander, Chairman of Maltby Capital Ltd, said: \u201cThis report shows the very real operational progress that EMI has made in the past three years, in the face of the serious challenges faced by the music industry and the wider economy.<\/p>\n
\u201cThe year was characterised by creative and commercial achievement in both divisions. EMI Music had particular success with the release of the remastered Beatles catalogue, which has sold more than 13 million albums to date, as well as strong sales from newer artists such as Katy Perry and Lady Antebellum. EMI Music Publishing has again been named publisher of the year in both the US and the UK, and the business is creating valuable new revenue streams on behalf of its unmatched roster of writers.\u201d<\/p>\n
Roger Faxon, CEO of EMI Group, said: \u201cThere is a clear opportunity ahead for EMI as a whole to develop a structure and approach that recognises the realities of the music environment, and that truly delivers success for the creative talent that the company is privileged to represent. The operating performance we delivered in the year under review gives us a strong platform, and I\u2019m looking forward to working with our great staff and artists to develop the business further.<\/p>\n
Source: Hyperbot<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"
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