{"id":23386,"date":"2024-04-04T23:45:41","date_gmt":"2024-04-04T23:45:41","guid":{"rendered":"https:\/\/skylight.gr\/?p=23386"},"modified":"2024-04-04T23:51:23","modified_gmt":"2024-04-04T23:51:23","slug":"actor-greg-poppleton-believes-anno-2020-authentically-captures-mood-of-the-lockdowns","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2024\/04\/04\/actor-greg-poppleton-believes-anno-2020-authentically-captures-mood-of-the-lockdowns\/","title":{"rendered":"Jazz singer and actor, Greg Poppleton, believes Anno 2020 authentically captures mood of the lockdowns"},"content":{"rendered":"\n

Australian musician and actor Greg Poppleton plays a husband and brother grappling with tragic family issues exacerbated by the COVID-19 lockdowns in the Down Under movie Anno 2020, which celebrates its world premiere on April 7 in Sydney.<\/strong><\/p>\n\n\n\n

Sydney-based Poppleton, whose credits include the upcoming Last Days of the Space Age (2024), Backtrack (2015) and Chronicles of Narnia: The Voyage of the Dawn Treader (2010), plays a highly-strung, disillusioned character, estranged from his American-based, onscreen brother Kevin Scott Allen (Star Trek, Alias, Prison Break) and separated from his onscreen wife Erin Connor (Occupation: Rainfall, Dino King 3D).<\/p>\n\n\n\n

Anno 2020\u2019s director James Morcan describes Poppleton as an actor who prepares for roles meticulously.<\/p>\n\n\n\n

\u201cI can also safely say he’s the most unpredictable performer I’ve ever worked with,\u201d Morcan says. \u201cWhich was brilliant not only for me but also for the other cast members. I would love to work with him again.\u201d<\/p>\n\n\n\n

Those comments are echoed by Anno 2020\u2019s lead producer Gil Ben-Moshe, of MoneyShot Productions, who lauded the amount of preparation Poppleton did leading up to his scenes.<\/p>\n\n\n\n

\u201cEvery single word spoken was considered in detail and delivered perfectly,\u201d he says.<\/p>\n\n\n\n

Ben-Moshe says apart from making the script come to life, the actor\u2019s improvisation was something else altogether.<\/p>\n\n\n\n

\u201cSome of the movie\u2019s best dialogue was improvised by Greg and his co-star Kevin (Scott Allen). It was authentic and heartfelt, and it elevated his character to another level. Audiences will be captivated by his believable and charismatic style of acting.\u201d<\/p>\n\n\n\n

The fourth of five children to bus driver Bert and shop worker Aileen (Stapleton), a young Greg Poppleton grew up in working class Sydney. He was discovered in a cattle call for a kids\u2019 programme and made his movie debut in a scene with Nicole Kidman in Moulin Rouge in 2001.<\/p>\n\n\n\n

Since that impressive introduction, he has appeared in one-on-one movie scenes with Adrien Brody and John Goodman, and on TV he has appeared in the series Barons (ABC), The Last Days of the Space Age (Disney +), and Year Of (Stan) among many other series.<\/p>\n\n\n\n

Speaking from his home in Sydney this week, Poppleton, who is married with two sons, says he was drawn to participating in Anno 2020 because of the hugeness of the undertaking.<\/p>\n\n\n\n

\u201cConnecting the world at a time when the world was being fragmented and isolated was both the aim and the message of this production,\u201d he says.<\/p>\n\n\n\n

\u201cAnno 2020 is an authentic artefact of the lockdowns. It was created during the lockdowns and is infused with the spirit of the times. Something that can never be replicated by future productions looking back. Paradoxically, in the age of isolation, Anno 2020 brought people together from across the globe whose paths, if not for the pandemic, would probably have never crossed.\u201d<\/p>\n\n\n\n

As for the cataclysmic year that was 2020, Greg marvels at the ingenuity people everywhere showed in remaining connected one way or another.<\/p>\n\n\n\n

\u201cThere\u2019s no doubt it (the year) presented new ways to do things and new ways to see things. The ingenuity individuals displayed in remaining social amazed me.\u201d<\/p>\n\n\n\n

Poppleton says his lasting memory of his involvement in Anno 2020, the movie, was how well director James Morcan and producer Gil Ben Moshe worked, together and with their cast.<\/p>\n\n\n\n

\u201cTheir primary concern was in creating believable relationships between characters, and we talked a lot about character and relationships before the shoot.<\/p>\n\n\n\n

\u201cGetting to improvise the characters online weeks before the shoot with my onscreen brother, Elijah, played by the smart, generous and playful, Kevin Scott Allen, made the relationship between us genuinely brotherly. We say things to each other only brothers can get away with.<\/p>\n\n\n\n

 \u201cIn rehearsal we developed a detailed history together, not on a dry intellectual level, but on a connected and emotional one based solely on the script and encouraged by James. We rehearsed the story on its feet straight away, which as (the acting teacher Michael) Chekhov famously said, \u2018is the actors\u2019 way.\u2019 It meant we could talk in character about anything in the story with spontaneity when the cameras rolled, whether at a train station, in a park or walking through city streets. Nothing threw us.<\/p>\n\n\n\n

\u201cThat same process also created believable, spontaneous relationships between my character\u2019s niece, played by the wonderful, up-and-coming Audrey Nitschke, and my estranged onscreen wife, the generous Erin Connor.\u201d<\/p>\n\n\n\n

Poppleton describes Morcan\u2019s direction as textbook and says he\u2019d be delighted to work with him and with Ben-Moshe again in future.<\/p>\n\n\n\n

\u201cAll the preparation with actors concerning their ideas, character and relationships was done thoroughly before the shoot. When the camera rolled everyone knew what to do and were at ease with each other, and that\u2019s a reflection of James\u2019s directing style.\u201d<\/p>\n\n\n\n

Outside of acting, Poppleton has the unique distinction of being Australia’s only authentic 1920s-30s singer. He has over 1.3 million YouTube hits, released eight albums, played Sydney Festival twice, and produces and hosts the networked jazz show, The Phantom Dancer, on Australian radio.<\/p>\n\n\n\n

\n