{"id":16415,"date":"2021-12-05T19:35:12","date_gmt":"2021-12-05T19:35:12","guid":{"rendered":"http:\/\/skylight.gr\/?p=16415"},"modified":"2021-12-05T19:35:15","modified_gmt":"2021-12-05T19:35:15","slug":"disturbing-the-peace-415-records-and-the-rise-of-new-wave-the-story-behind-the-groundbreaking-indie-label-415-records-new-book-by-bill-kopp","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2021\/12\/05\/disturbing-the-peace-415-records-and-the-rise-of-new-wave-the-story-behind-the-groundbreaking-indie-label-415-records-new-book-by-bill-kopp\/","title":{"rendered":"‘Disturbing the Peace: 415 Records and the Rise of New Wave,’ The Story Behind the Groundbreaking Indie Label 415 Records – New Book By Bill Kopp!"},"content":{"rendered":"\n

A new book,\u00a0Disturbing the Peace<\/em>\u00a0tells the story of groundbreaking indie label 415 Records. The label founded by Howie Klein influenced other labels to follow, and it released era-defining singles, EPs and albums.\u00a0

In the late \u201870s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once-a-week spaghetti nights, colorful emcee Dirk Dirksen, and punk\/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner Chris Knab to launch a record label in support of that scene.

Measured in strictly commercial terms, 415 Records was at best a modest success. But then, for Klein and his founding partner Chris Knab (owner of the city\u2019s Aquarius Records shop), financial gain was never the primary goal. Ask him about his objectives, and he\u2019ll tell you: \u201cF-U-N,\u201d he\u2019ll say. \u201cIt was all about fun.\u201d

But 415 Records would have a lasting impact, one that extended far beyond the minor chart action that a few of the label\u2019s artists achieved. Klein and his cohorts established new ways of doing business in the music industry, and were at the forefront of a resurgence of independent labels.\u00a0

Disturbing the Peace<\/em>: 415 Records and the Rise of New Wave is Bill Kopp’s chronicle of the groundbreaking independent record label founded by Howie Klein & Chris Knab, featuring the stories of Romeo Void (\u201cNever Say Never,\u201d \u201cA Girl in Trouble\u201d), Red Rockers (\u201cChina,\u201d \u201cShades of 45\u201d), Translator (\u201cEverywhere That I\u2019m Not\u201d), Wire Train (\u201cChamber of Hellos,\u201d \u201cSkills of Summer\u201d), Roky Erickson (\u201cIf You Have Ghosts,\u201d \u201cI Walked with a Zombie\u201d), The Nuns, Pearl Harbor and Explosions and nearly two dozen other bands.

Featuring a foreword from Joel Selvin (Hollywood Eden) and based on Bill Kopp\u2019s nearly 100 interviews with the artists, industry execs, producers, friends, rivals, onlookers, journalists and hangers-on,\u00a0Disturbing the Peace<\/em>\u00a0also features hundreds of photos and memorabilia from the archives of those who were there.\u00a0

Advance praise for\u00a0Disturbing the Peace<\/em>:\u00a0<\/strong>
\u201cIn the late 1970s, indie labels popped up all over America, forming an underground network that altered the course of musical history. Each one had a vision, characters and a story of DIY ingenuity, but those were overlooked as their bands took the spotlight. Trouser Press worked a lot with Howie Klein and San Francisco’s pioneering 415 label, but I really didn’t know much about the company. Thanks to Bill Kopp’s definitive ‘Disturbing the Peace,’ now I do.\u201d –\u00a0Ira Robbins, co-founder of Trouser Press magazine<\/em>

\u201cThe direct line leading from San Francisco\u2019s psychedelic hippie-band era of the \u201960s to the city\u2019s punk and new wave movement of the late \u201970s-\u201980s has never been drawn this clearly – or with this much sheer elation – before. Although they might seem to have little in common musically, philosophically or stylistically, 415 Records bands like Romeo Void, The Nuns, Translator and SVT (whose bassist, Jack Casady, had been in the earlier era\u2019s Jefferson Airplane and Hot Tuna) followed the same guiding DIY principles, rebelliously eschewing a craving for mainstream success in favor of fomenting a true cultural revolution. ‘Disturbing the Peace’ is more than just another profile of a local rock scene or record label – it\u2019s the story of a seismic shift, and the passions of the people who created it.\u201d –\u00a0Jeff Tamarkin, author of Got a Revolution! –\u00a0The Turbulent Flight of Jefferson Airplane<\/em>

\u201cBy sweeping together the minutiae of one particular music scene – San Francisco in the late 70s and early 80s, when 415 Records began and flourished – Bill Kopp manages to remind us of the way punk and alternative music blossomed into cultural forces influencing the 90s and beyond. Yes, it really happened: dozens and dozens of bands, club hoppers, radio hounds and record store geeks built and maintained a scene without the internet. This devourable, fanatically researched document is indispensable for those who were there and will gall into jealousy those who weren\u2019t.\u201d –\u00a0Karen Schoemer, author of Great Pretenders:\u00a0My Strange Love Affair with 50s Pop Music\u00a0<\/em>

From the author\u2019s afterword:<\/strong>
415 Records was special. Not only did it capture the zeitgeist of the music scene in one of the world\u2019s most creatively vibrant cities, but its launch, development and subsequent success served as an example (and sometimes object lesson) of the potential indie-to-major path charted by other labels to follow in its wake.\u00a0And along the way, some great music got made.

More info about\u00a0Disturbing the Peace<\/em>:\u00a0http:\/\/415book.com\/<\/a>
Ordering information from HoZac Books:\u00a0https:\/\/hozacrecords.com\/product\/disturbing-the-peace\/<\/a>More from author Bill Kopp:\u00a0http:\/\/blog.musoscribe.com\/<\/a>

Bill Kopp:<\/strong>
With a background in marketing and advertising, Bill Kopp got his professional start writing for\u00a0Trouser Press<\/em>. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The interviews, essays, and reviews on Musoscribe reflect Bill’s keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill’s work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues \u2013 more than 30 to date \u2013 and co-produced a reissue of jazz legend Julian “Cannonball” Adderley’s final album. His first book,\u00a0Reinventing Pink Floyd<\/em>\u00a0was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book,\u00a0Disturbing the Peace: 415 Records and the Rise of New Wave<\/em>, will be published in December 2021 by HoZac Books.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

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