{"id":15919,"date":"2021-09-08T18:56:00","date_gmt":"2021-09-08T18:56:00","guid":{"rendered":"http:\/\/skylight.gr\/?p=15919"},"modified":"2021-09-08T18:58:58","modified_gmt":"2021-09-08T18:58:58","slug":"post-metallers-kowloon-walled-city-announce-first-album-in-six-years","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2021\/09\/08\/post-metallers-kowloon-walled-city-announce-first-album-in-six-years\/","title":{"rendered":"POST METALLERS KOWLOON WALLED CITY ANNOUNCE FIRST ALBUM IN SIX YEARS"},"content":{"rendered":"\n

Oakland-based heavy music savants Kowloon Walled City<\/strong> have announced Piecework<\/strong><\/em>, the quartet\u2019s first album in six years, confirmed for an October 8th<\/strong> release via Neurot Recordings<\/strong> and Gilead Media<\/strong>. Since forming 15 years ago, the band has increasingly refined its deconstructed approach to noise rock, math rock, and post-hardcore, embracing dynamics and negative space to a degree that few others in the world of heavy music match. With Piecework<\/em> Kowloon Walled City has managed even greater levels of restraint: songs are bleak and slow, but also shorter and more concise; counterpointing moments of austere beauty with stretches of near silence. While the band has always operated under the MO that less is more, it has doubled down on that ethos for Piecework<\/em>. Singer\/guitarist Scott Evans and guitarist Jon Howell, the main songwriters, self-imposed restrictions to push themselves creatively\u2014\u201crestraining ourselves into oblivion<\/em>,\u201d as Howell puts it. <\/p>\n\n\n\n

The negative space amplifies the ruptures of heady aggressiveness that anchor Piecework<\/em>. Angular guitar notes from Howell skew off the neck, dissolving into space. Ian Miller\u2019s bass lines churn in the muck. Drums and cymbal smashing by Dan Sneddon punctuate dead air. (Sneddon, formerly of Early Graves, makes his recording debut with the band five years after joining.) There\u2019s sadness and anger in Evans\u2019 shouted vocals, but also a desire for something better; hints of perseverance and hope pushing through the resignation and regret. Piecework<\/em> feels not only like an artistic accomplishment, but a triumph of resolve and vision.<\/p>\n\n\n\n

Evans was dealing with the loss of his father during the writing of the album. He found strength in the women in his life, especially his maternal grandmother, who worked at a shirt factory in Kentucky for 40 years while raising five kids. The album name (and title track) is a nod to her line of work\u2014and her quiet resilience. The themes of absence and death, surrendering to aging, and familial strength and love are all encapsulated in album artwork by photographer Melyssa Anishnabie<\/strong>\u2014the tattered beauty of an abandoned home reveals the faint edges of where life used to be. Evans likens it to watching a grandparents\u2019 house fall into disrepair. As with all previous KWC releases, Evans recorded and mixed Piecework<\/em> (his impressive recording CV includes Thrice, Yautja, Great Falls, Ghoul, Town Portal<\/strong>, and many others) and like previous albums Container Ships<\/strong><\/em> (2012) and Grievances<\/strong><\/em> (2015) the tracks were recorded live at Oakland\u2019s Sharkbite Studios<\/strong>, with minimal overdubs. <\/p>\n\n\n\n

WATCH THE OFFICIAL VIDEO FOR “PIECEWORK”<\/strong><\/a><\/p>\n\n\n\n

STREAM THE TITLE TRACK<\/strong><\/a> <\/strong><\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

FOLLOW KOWLOON WALLED CITY<\/strong><\/p>\n\n\n\n

INSTAGRAM<\/a> | FACEBOOK<\/a> | TWITTER<\/a> | WEBSITE<\/a> | BANDCAMP<\/a><\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Article Photo Cr<\/strong>edit: Scott Evans<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Oakland-based heavy music savants Kowloon Walled City have announced Piecework, the quartet\u2019s first album in six years, confirmed for…<\/p>\n","protected":false},"author":1,"featured_media":15921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23,2],"tags":[1876,1877],"class_list":["post-15919","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-news","category-news","tag-kowloon-walled-city","tag-post-metal"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/15919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=15919"}],"version-history":[{"count":3,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/15919\/revisions"}],"predecessor-version":[{"id":15923,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/15919\/revisions\/15923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/15921"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=15919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=15919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=15919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}