Trevor Dunn, the inimitable bass player who rose to fame with Mr. Bungle, is part of the frenetic Fant\u00f4mas and swaggering Tomahawk, as well as a frequent contributor to John Zorn\u2019s musical output, and a gaggle of jazz ensembles, has launched his own label: Riverworm Records.<\/p>\n\n\n\n
\u201cLike most DIY labels, I started my own because I could find no appropriate home for this first release,\u201d explains Dunn. \u201cThe idea of a \u2018label\u2019 is nearly defunct as marketing is essentially all DIY, that is, unless you are a heavyweight influencer, corporation or actual rock star. This is mom and pop at its most niche-within-niche. I know I\u2019m absolutely insane or branding myself mid-pandemic in a world where art is nearly expected to be free for the consumer but the will to have this music heard is part of what drives me. I\u2019ve never expected everyone to like everything. That goes against common sense. That\u2019s why everyone has boundaries. Having total control of a very personal release is the core motivation, and the feeling that, at this ripe old age, my own branding is as relevant as any grass fed mammal.\u201d<\/p>\n\n\n\n
The first release on the fledgling label comes from Dunn\u2019s SpermChurch, a poly-electro, pan-genre duo featuring the bassist alongside Sannety, who covers the electronic portion of the pairing. SpermChurch and the forthcoming album, merdeka atau<\/s> mati<\/em> (Sept. 3), hovers within elements of abstraction and trap music, battling cultural conditioning with non-traditional tunings, glissandos, percussion, and a max\/msp patch. Using minimal elements to play with (a lot of bass drums and bass mostly), the pair turn patterns inside out. A video for \u201cA Puzzle & Not Intended For Use\u201d can be viewed here: link.<\/p>\n\n\n\n
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