{"id":14059,"date":"2020-10-09T21:38:50","date_gmt":"2020-10-09T21:38:50","guid":{"rendered":"http:\/\/skylight.gr\/?p=14059"},"modified":"2020-10-09T21:38:53","modified_gmt":"2020-10-09T21:38:53","slug":"post-punks-idles-return-with-a-new-album","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2020\/10\/09\/post-punks-idles-return-with-a-new-album\/","title":{"rendered":"Post-punks IDLES return with a new album!"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Passionate,&nbsp;political and darkly comedic, IDLES\u2019 debut album \u2018Brutalism\u2019 made an impact that no-one, not least the band, could have expected when it arrived, seemingly out of nowhere, in 2017. It was an album with such relevance to the fractured Britain that birthed it, that the band\u2019s potent individuality and honesty simply couldn\u2019t be ignored \u2013 and was described perfectly at the time by Uncut as: &#8220;a rare rock record with the rage, urgency, wit and shattering of complacency usually found only in grime.&#8221;<br><strong>IDLES<\/strong>&nbsp;second album \u2013 \u2018Joy As An Act Of Resistance&#8217; &#8211; saw them claim their rightful place as leaders in a movement of bands tearing down outdated perceptions of masculinity and bucking a trend of style over substance. Songs from the record were full-throated indictments of sexism, racism, the polarisation of Britain in the wake of Brexit, nationalism and toxic masculinity. \u2018Joy\u2019 debuted at no.5 in the UK charts upon its release in Aug 2018, breaking Rough Trade\u2019s all-time record for most pre-orders and sales in a day. By the end of 2018 it had won a fanbase far beyond the UK, featuring in album of the year lists worldwide. \u2018Joy\u2019 would be A-listed at 6 Music and earned major features with the likes of Q, Mojo, The Guardian, NY Times, Rolling Stone, GQ, a nationally televised PBS Newshour profile, an explosive Tiny Desk performance (2.5M views and counting), and covers stories with DIY, Loud &amp; Quiet, Kerrang!, So Young, CRACK and NME. IDLES won Best Breakthrough at the Q Awards, were nominated for Breakthrough Artist at the Brit Awards and performed a raucous Jools Holland debut which NME called \u201chistory in the making\u2026incomparably brilliant,\u201d likening it to Arctic Monkeys and Kanye West&#8217;s first appearances on the show.<br><br>If \u2018Joy\u2019 was meant to detail the band\u2019s manifesto, then band\u2019s highly anticipated third album \u2013 \u2018Ultra Mono\u2019 &#8211; is the sound of IDLES heading into battle, battering ram in hand, for those tenets. Sonically constructed to capture the feeling of a hip-hop record (Kenny Beats even helped with programming on several tracks), the songs double down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clich\u00e9s and spits them out as high art for the masses. Active presence and self-acceptance also stand at the core of \u2018Ultra Mono,\u2019 with much of the songwriting done on-the-spot in the recording booth, and the phrase \u201cI am I\u201d serving as a lyrical and spiritual mantra throughout.<br><br>Ultimately \u2018Ultra Mono\u2019 is a celebration of community, one that IDLES have been striving to build upon since their start, something bigger than themselves. As their audience grows, new fans continue to come from a sense of not belonging, together creating a diverse congregation of people that are making each other belong.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">. Features guest vocals from Jehnny Beth (Savages) and contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow (The Jesus Lizard) and Jamie Cullum. This is momentary acceptance of the self. This is Ultra Mono.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ultra Mono is released on 25th September 2020 on Partisan Records<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"316\" height=\"316\" src=\"http:\/\/skylight.gr\/wp-content\/uploads\/2020\/10\/Idles_Ultra_Mono_artwork.jpg\" alt=\"\" class=\"wp-image-14061\" srcset=\"https:\/\/skylight.gr\/wp-content\/uploads\/2020\/10\/Idles_Ultra_Mono_artwork.jpg 316w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/10\/Idles_Ultra_Mono_artwork-300x300.jpg 300w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/10\/Idles_Ultra_Mono_artwork-150x150.jpg 150w\" sizes=\"auto, (max-width: 316px) 100vw, 316px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">TRACKLIST<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1. War<br>2. Grounds\u00a0<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=mRkUt9VnaR0\">https:\/\/www.youtube.com\/watch?v=mRkUt9VnaR0<\/a>\u00a0<br>3. Mr. Motivator\u00a0<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=YNCopmqsw1Q\">https:\/\/www.youtube.com\/watch?v=YNCopmqsw1Q<\/a>\u00a0<br>4. Anxiety<br>5. Kill Them With Kindness<br>6. Model Village\u00a0<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=sjr11lGEBg4\">https:\/\/www.youtube.com\/watch?v=sjr11lGEBg4<\/a>\u00a0<br>7. Ne Touche Pas Moi<br>8. Carcinogenic<br>9. Reigns<br>10. The Lover<br>11. A Hymn\u00a0<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=eYGtGcJ8rKw\">https:\/\/www.youtube.com\/watch?v=eYGtGcJ8rKw<\/a>\u00a0<br>12. Danke<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ARTICLE PHOTO: Idles on the Mainstage at Haldern Pop Festival 2019, copyright by Alexander Kellner<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Passionate,&nbsp;political and darkly comedic, IDLES\u2019 debut album \u2018Brutalism\u2019 made an impact that no-one, not least&#8230;<\/p>\n","protected":false},"author":1,"featured_media":14060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23,2],"tags":[1321,455],"class_list":["post-14059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-news","category-news","tag-idles","tag-post-punk"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/14059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=14059"}],"version-history":[{"count":1,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/14059\/revisions"}],"predecessor-version":[{"id":14062,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/14059\/revisions\/14062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/14060"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=14059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=14059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=14059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}