{"id":12923,"date":"2020-04-23T13:53:59","date_gmt":"2020-04-23T13:53:59","guid":{"rendered":"http:\/\/skylight.gr\/?p=12923"},"modified":"2020-04-23T13:55:55","modified_gmt":"2020-04-23T13:55:55","slug":"cult-guitarist-caspar-brotzmann-re-issues-home-album","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2020\/04\/23\/cult-guitarist-caspar-brotzmann-re-issues-home-album\/","title":{"rendered":"Cult Guitarist Caspar Br\u00f6tzmann re-issues Home album"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Southern Lord<\/strong>&nbsp;are to release&nbsp;<strong><em>Home<\/em><\/strong>, the final&nbsp;<strong>Caspar Br\u00f6tzmann Massaker<\/strong>&nbsp;album in the current reissue series, thisApril. The indelible trio continue to perform live, and Caspar Br\u00f6tzmann, arguably one of the most unique and innovative guitarists of the last 40 years, is exploring new solo material and will release his first solo album this year 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Details of the new reissue, including context from the recording and incoming live dates can be found below.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Originally recorded in 1994 and released in 1995,&nbsp;<em>Home<\/em>&nbsp;is characterised by Massaker\u2019s ultra-refined riffs of shrieking, screeching feedback and rattling machine gun staccatos. Exuding confidence, authority and a natural rapport that the musicians clearly had with one another. Certain songs from earlier records were revisited on Home including \u201cThe Tribe\u201d and \u201cMassaker\u201d from&nbsp;<em>The Tribe<\/em>, and \u201cTemplehof\u201d, \u201cHunter Song\u201d and \u201cB\u00f6hmen\u201d from&nbsp;<em>Black Axis<\/em>. These particular pieces had evolved following years of rethinking, rehearsing and reshaping them on stage, as well as playing with Danny Lommen, who had replaced Frank Neumeier on drums after&nbsp;<em>Black Axis<\/em>. These refined versions on&nbsp;<em>Home<\/em>&nbsp;raise the level of density and tension, the ominous evocations of impending doom, booming threat, and the grim determination that\u2019s always driven Massaker.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The 1994 recording of&nbsp;<em>Home<\/em>&nbsp;at the Steinschlag Studio (of FM Einheit) features the following musicians, Caspar Br\u00f6tzmann (guitar), Danny Lommen (drums) and Eduardo Delgado Lopez (bass), and shall be released on CD, 2xLp and digital formats through&nbsp;<strong>Southern Lord<\/strong>&nbsp;on&nbsp;<strong>17th April<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Caspar Br\u00f6tzmann has confirmed the following Massaker and solo live performances in 2020, with more to follow:-<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">21st October, CH La Chaux de Fonds &#8211; Alexandr\u00e9 Babel \/ Caspar Br\u00f6tzmann<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recording for&nbsp;<em>Home<\/em>&nbsp;took place at Steinschlag, the studio of FM Einheit, famed metal-percussionist for German avant-noisniks Einst\u00fcrzende Neubauten, with Bruno Gephard on production (also at the helm for&nbsp;<em>Koksofen<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Caspar\u2019s connection to FM Einheit traces back to the late Eighties in Berlin, as together they had released the album&nbsp;<em>Merry Christmas<\/em>&nbsp;in 1994, and subsequently toured in the US.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FM Einheit\u2018s equipment was set up in a disused swimming pool of a detached house in Mauren (a small town in the southern hills of Germany), while the band played in the roof of the building. An intriguing setting for the album.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-1024x1024.jpg\" alt=\"\" class=\"wp-image-12925\" srcset=\"https:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-1024x1024.jpg 1024w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-300x300.jpg 300w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-150x150.jpg 150w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-768x768.jpg 768w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-1536x1536.jpg 1536w, https:\/\/skylight.gr\/wp-content\/uploads\/2020\/04\/Caspar_cover-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Home<\/em>&nbsp;was originally released on New York-based label Thirsty Ear, which at the time was specialising in releasing renowned records by noise, avant-rock-industrialists like Swans, Jim Foetus and Einst\u00fcrzende Neubauten. The album was followed by further line-up changes, and what became Massaker\u2019s largest US tour supporting Helmet (with the improvised line up).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The trio went on to release and tour the final album,\u00a0<em>Mute Massaker<\/em>\u00a0(Rough Trade Records, 1998), after which, the artistic story of Massaker was over and Caspar disbanded the trio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Label info:  <a href=\"https:\/\/southernlord.com\/\">https:\/\/southernlord.com\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: Bruno Gebhard<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Southern Lord&nbsp;are to release&nbsp;Home, the final&nbsp;Caspar Br\u00f6tzmann Massaker&nbsp;album in the current reissue series, thisApril. The&#8230;<\/p>\n","protected":false},"author":1,"featured_media":12924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23,2],"tags":[987,988],"class_list":["post-12923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-news","category-news","tag-caspar-brotzmann","tag-southern-lord"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/12923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=12923"}],"version-history":[{"count":2,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/12923\/revisions"}],"predecessor-version":[{"id":12927,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/12923\/revisions\/12927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/12924"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=12923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=12923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=12923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}