{"id":11596,"date":"2019-07-24T18:45:43","date_gmt":"2019-07-24T18:45:43","guid":{"rendered":"http:\/\/skylight.gr\/?p=11596"},"modified":"2019-07-24T18:45:46","modified_gmt":"2019-07-24T18:45:46","slug":"jirga-original-motion-picture-soundtrack-by-aj-true-nominated-best-music-in-the-film-critics-circle-of-australia-awards","status":"publish","type":"post","link":"https:\/\/skylight.gr\/index.php\/2019\/07\/24\/jirga-original-motion-picture-soundtrack-by-aj-true-nominated-best-music-in-the-film-critics-circle-of-australia-awards\/","title":{"rendered":"JIRGA Original Motion Picture Soundtrack by AJ True Nominated \u201cBest Music\u201d in the Film Critics Circle of Australia Awards"},"content":{"rendered":"\n

AJ True is a Sydney based musician known for his work as a co-founder and drummer of Psychobilly band Zombie Ghost Train from 2002-2008. As a composer, music producer, and musical director his music has been used in film, TV, radio & theatre. His recent credits for screen composition include: She Who Must Be Loved<\/em> (dir. Erica Glynn, 2019), Truth Be Told; Lest We Forget<\/em> (dir. Erica Glynn, 2018), JIRGA<\/em> (dir. Benjamin Gilmour, 2017), Paramedico<\/em> (dir. Benjamin Gilmour, 2012). In 2019 his JIRGA<\/em> score was nominated \u2018Best Music\u2019 in the Film Critics Circle of Australia Awards (FCCA). <\/p>\n\n\n\n


\u201cCan you make the score sound like Ennio Morricone meets Giorgio Moroder in the Afghan desert?\u201d<\/em> This was one of the directions I got from Benjamin Gilmour when he asked me to compose the music for his latest Australian feature film, JIRGA. With those two references, this was a dream job for a composer. <\/p>\n\n\n\n


Benjamin wanted a score that would be recognisable and as individual as the film itself. We aimed to achieve this with diverse and unconventional instrument combinations; Afghan rabab, tanbur, harmonium, electric guitars, vintage 70s synthesizers, cello drones through guitar distortion pedals, and a string quartet. <\/p>\n\n\n\n


Benjamin was interested in steering away from typical film music with this score. He wanted a collection of music, strong enough to be a standalone piece of work, without sounding like \u2018screen music\u2019. I aimed to achieve this by composing themes away from the film. I made notes as I saw the rough cut then composed for a few weeks and sent off some possible themes to Ben. He would select his favourite pieces and we\u2019d temp them into the film while it was being edited. As the film was refined, we\u2019d tweak the cues to fit the scenes in more of a traditional way. This was a great way of working as it meant that music took its natural course in the development of compositional ideas and motifs. <\/p>\n\n\n\n


It\u2019s always interesting to be pushed into unknown territory and encouraged to take risks. Benjamin would send me obscure 70s electronic music that I had no idea existed (Ash Ra Tempel, Brainticket, Edward Artemiev). He would ask me to find weird synthesizers, experiment with unusual combinations of instruments, and try different production techniques. All traditional film instrumentation would need to be put aside, even our string quartet would be mixed in a way to make it sound like it was played by a synthesizer by our excellent music mixer, Dave Hammer.
In addition to vintage synthesizers, Benjamin and film producer John Maynard were interested in hearing a layer of drones under the other musical elements. We settled on cello (through distortion pedals), doubled with harmonium. These drone layers help create a feeling of tension that lasts through most of the film, it also grounds each cue in a tonal center, a sort of minimalist \u2018basso continuo\u2019. <\/p>\n\n\n\n


JIRGA\u2019S minimal, tension-based score utilizes recurring themes played by both western and non-western instruments performed by musicians from Australia, Afghanistan, Pakistan, and the USA. <\/p>\n\n\n\n


The songs performed by cast members Sam Smith (Mike Wheeler) and Sher Alam Miskeen Ustad (the Taxi Driver) were their own arrangements, performed on location and recorded by Ben in Afghanistan. When Sam and Sher Alam sing and play songs for each other, unspoken connections are made, cultural differences are transcended and their music becomes a third character that unites and disarms. Only through the sharing of music are they able to finally connect and recognise each other through their veil of differences. In those desert scenes you can see this happening for real on screen. It\u2019s a beautiful thing. When we weren\u2019t talking about the work at hand, Ben and I had many conversations about music\u2019s mysterious power to cross great divides, opening doors to knowledge, understanding and acceptance. Hopefully some part of the film\u2019s message can find its way into the real world. <\/p>\n\n\n\n


I\u2019m proud of this film and the score, I hope you enjoy. – AJ True, July 14 2019<\/em><\/p>\n\n\n\n

JIRGA<\/em> USA Theatrical Screenings:
July 26, 2019 Village East Cinema – New York, NY
August 2, 2019 Laemmle\u2019s Music Hall – Beverly Hills, CA
August 16, 2019 Roxie Theater – San Francisco, CA
August 23, 2019 Harkins Theatres Shea 14 – Scottsdale, AZ Visit jirgafilm.com<\/a> for USA theatrical screening dates <\/p>\n\n\n\n


JIRGA \u2013 <\/em>Original Motion Picture Soundtrack by AJ True
Format: All Digital Platforms \/ CD release via band-camp out now.
Country: Australia
Genre: Stage and Screen, Instrumental, Experimental
Style: Soundtrack\/Original Score
Duration: 45mins (25 tracks) <\/p>\n\n\n\n


LEAD SINGLES:
Going Home<\/em>
Walk to Ruin<\/em>
Lost in the Desert<\/em>
Widow<\/em>
JIRGA Original Soundtrack <\/em>\u00a9 AJ True<\/em><\/p>\n\n\n\n


FEATURED MUSICIANS:
Qais Essar: Rebab
Ali Sarshar: Harmonium
Heather Lindsay: Cello
Veronique Serret: Violin and Viola
Sayd Sarshar: Tanbur
Farman Khan: Additional Rebab
Dirk Kruithof: Additional Acoustic Guitar
Michaela Davies: Additional Electric Bass
AJ True: Synthesizers, Guitars, Additional Harmonium<\/p>\n\n\n\n


PERSONNEL:
Music Composed and Produced by: AJ True
String Quartet Orchestrations: Greg Smith
Film Sound Designer and Sound Supervisor: Liam Egan
Film Mixer: Robert Sullivan
Film Music Mixer: Dave Hammer
Film Sound Recordist: Benjamin Gilmour
Film Producer: John Maynard
Mastering of film excerpts for Soundtrack Album: Miles Mumford
Score Recorded at: The Cabin <\/em>– Wyong Creek NSW, Zen Studios <\/em>\u2013 St Peters NSW (Geoff Lee), Essar Recording \u2013 <\/em>Phoenix AZ (Qais Essar), Linear Recording \u2013 <\/em>Leichhardt NSW (Dorny Mayes). <\/p>\n\n\n\n


FILM CREDITS: FELIX MEDIA and SCREEN AUSTRALIA present JIRGA featuring SAM SMITH and SHER ALAM MISKEEN OSTAD, AMIR SHAH TALASH, ARZE WEDA, INAM KHAN camera BENJAMIN GILMOUR editor NIKKI STEVENS sound design LIAM EGAN music by AJ TRUE executive producers DAVID GROSS and BRIDGET IKIN produced by JOHN MAYNARD written and directed by BENJAMIN GILMOUR<\/p>\n\n\n\n


To purchase: https:\/\/itunes.apple.com\/au\/artist\/aj-true\/1398451919<\/a>https:\/\/open.spotify.com\/artist\/096z8NTijhnfUEmltEuEUR<\/a> CD: ajtrue.bandcamp.com<\/a><\/p>\n\n\n\n


For more information: facebook.com\/ajtrue<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

AJ True is a Sydney based musician known for his work as a co-founder and…<\/p>\n","protected":false},"author":1,"featured_media":11597,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[23,2],"tags":[620,619],"class_list":["post-11596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-news","category-news","tag-aj-true","tag-soundtrack"],"_links":{"self":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/11596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/comments?post=11596"}],"version-history":[{"count":1,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/11596\/revisions"}],"predecessor-version":[{"id":11598,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/posts\/11596\/revisions\/11598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media\/11597"}],"wp:attachment":[{"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/media?parent=11596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/categories?post=11596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skylight.gr\/index.php\/wp-json\/wp\/v2\/tags?post=11596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}